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Stantec
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Chapters in this book
- Frontmatter 1
- Contents 5
- Preface 8
- Introduction 10
-
PART I SKETCHING, THINKING, LEARNING
- SKETCHING, THINKING, LEARNING 16
- Sketching: A Means to Different Ends 26
- Analysis: From Looking to Understanding 36
- What Is a Diagram? 40
- Diagrams and Design Practice 42
- Developing Spatial Knowledge and Material Analogies 44
- Synthesizing: From Analysis to Design 50
- Conclusion 52
-
PART II DESIGN ACTS
- Introduction 58
- MAPPING THE PLAN 62
- TRAVERSING THE SECTION 106
- FACING THE BUILDING 146
- PROBING THE DETAILS 188
- ENGAGING THE CONTEXT 224
-
PART III HOLISTIC ACTS
- Introduction 262
- Sketching Apparent Simplicity 266
- Representing a Layered Experience 267
- Conceptual Memory of Place 268
- Simply Complex 269
- Sketching Essentials 270
- Speculate on Systems 272
- A Meditative Experience 273
- 2D to 3D 274
- What Makes a Place Unique 275
- Lines of Thought 276
- Visible Guidelines 277
- Working All over the Page 278
- Acts of Appreciation 280
- Self-Awareness in Drawing 281
- Encounters 282
- The Nature of Entry and Threshold 283
- A Holistic Journey 284
- Conceptual and Perceptual Drawings 285
-
PART IV SKETCHING IN CONTEMPORARY PRACTICE
- Introduction 286
- AECOM 298
- CallisonRTKL 300
- CannonDesign 302
- Corgan 304
- DLR Group 306
- HDR 308
- HKS 310
- IBI Group 312
- Jacobs 314
- Leo A Daly 316
- NBBJ 318
- Perkins Eastman 320
- Perkins&Will 322
- Populous 324
- SmithGroup 326
- Stantec 328
-
APPENDIX
- Bibliography 330
- Interview Bibliography 336
- Illustration Credits 337
- On the Author 338
- Acknowledgments 338
- Index of Buildings 339
- Index of Building Types 340
- Index of Locations 340
- Index of Media 341
- Index of Persons and Firms 341
- Index of Subjects 343
Chapters in this book
- Frontmatter 1
- Contents 5
- Preface 8
- Introduction 10
-
PART I SKETCHING, THINKING, LEARNING
- SKETCHING, THINKING, LEARNING 16
- Sketching: A Means to Different Ends 26
- Analysis: From Looking to Understanding 36
- What Is a Diagram? 40
- Diagrams and Design Practice 42
- Developing Spatial Knowledge and Material Analogies 44
- Synthesizing: From Analysis to Design 50
- Conclusion 52
-
PART II DESIGN ACTS
- Introduction 58
- MAPPING THE PLAN 62
- TRAVERSING THE SECTION 106
- FACING THE BUILDING 146
- PROBING THE DETAILS 188
- ENGAGING THE CONTEXT 224
-
PART III HOLISTIC ACTS
- Introduction 262
- Sketching Apparent Simplicity 266
- Representing a Layered Experience 267
- Conceptual Memory of Place 268
- Simply Complex 269
- Sketching Essentials 270
- Speculate on Systems 272
- A Meditative Experience 273
- 2D to 3D 274
- What Makes a Place Unique 275
- Lines of Thought 276
- Visible Guidelines 277
- Working All over the Page 278
- Acts of Appreciation 280
- Self-Awareness in Drawing 281
- Encounters 282
- The Nature of Entry and Threshold 283
- A Holistic Journey 284
- Conceptual and Perceptual Drawings 285
-
PART IV SKETCHING IN CONTEMPORARY PRACTICE
- Introduction 286
- AECOM 298
- CallisonRTKL 300
- CannonDesign 302
- Corgan 304
- DLR Group 306
- HDR 308
- HKS 310
- IBI Group 312
- Jacobs 314
- Leo A Daly 316
- NBBJ 318
- Perkins Eastman 320
- Perkins&Will 322
- Populous 324
- SmithGroup 326
- Stantec 328
-
APPENDIX
- Bibliography 330
- Interview Bibliography 336
- Illustration Credits 337
- On the Author 338
- Acknowledgments 338
- Index of Buildings 339
- Index of Building Types 340
- Index of Locations 340
- Index of Media 341
- Index of Persons and Firms 341
- Index of Subjects 343