Drawn to Design
About this book
For Those Who Learn And Those Who Teach
The book is a guide for students and teachers to understand the need for, the role of and the methods and techniques of freehand analytical sketching in architecture. The presentation focuses on drawing as an approach to and phase of architectural design.
The conceptual goal of this approach is to use drawing not as illustration or depiction, but as exploration. The first part of the book discusses underlying concepts of freehand sketching in design education and practice as a complement to digital technologies. The main component is a series of chapters that constitute a typology of fundamental issues in architecture and urban design; for instance, issues of "façade" are illustrated with sketch diagrams that show how façades can be explored and sketched through a series of specific questions and step-by-step procedures.
In the expanded and updated edition, a new part explores the questions and experiences of large architectural offices in applying freehand drawing in the practice of architectural design.
This book is especially timely in an age in which the false conflict between "traditional vs. digital" gives way to multiple design tools, including sketching. It fosters understanding of the essential human ability to investigate the designed and the natural world through freehand drawing.
- Freehand sketching as a design tool
- Covers the key tasks in building design
- Expanded and updated edition with extensive section on practice
Author / Editor information
Topics
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Frontmatter
1 -
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Contents
5 -
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Preface
8 -
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Introduction
10 - PART I SKETCHING, THINKING, LEARNING
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SKETCHING, THINKING, LEARNING
16 -
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Sketching: A Means to Different Ends
26 -
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Analysis: From Looking to Understanding
36 -
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What Is a Diagram?
40 -
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Diagrams and Design Practice
42 -
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Developing Spatial Knowledge and Material Analogies
44 -
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Synthesizing: From Analysis to Design
50 -
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Conclusion
52 - PART II DESIGN ACTS
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Introduction
58 -
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MAPPING THE PLAN
62 -
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TRAVERSING THE SECTION
106 -
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FACING THE BUILDING
146 -
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PROBING THE DETAILS
188 -
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ENGAGING THE CONTEXT
224 - PART III HOLISTIC ACTS
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Introduction
262 -
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Sketching Apparent Simplicity
266 -
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Representing a Layered Experience
267 -
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Conceptual Memory of Place
268 -
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Simply Complex
269 -
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Sketching Essentials
270 -
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Speculate on Systems
272 -
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A Meditative Experience
273 -
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2D to 3D
274 -
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What Makes a Place Unique
275 -
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Lines of Thought
276 -
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Visible Guidelines
277 -
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Working All over the Page
278 -
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Acts of Appreciation
280 -
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Self-Awareness in Drawing
281 -
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Encounters
282 -
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The Nature of Entry and Threshold
283 -
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A Holistic Journey
284 -
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Conceptual and Perceptual Drawings
285 - PART IV SKETCHING IN CONTEMPORARY PRACTICE
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Introduction
286 -
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AECOM
298 -
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CallisonRTKL
300 -
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CannonDesign
302 -
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Corgan
304 -
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DLR Group
306 -
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HDR
308 -
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HKS
310 -
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IBI Group
312 -
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Jacobs
314 -
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Leo A Daly
316 -
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NBBJ
318 -
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Perkins Eastman
320 -
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Perkins&Will
322 -
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Populous
324 -
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SmithGroup
326 -
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Stantec
328 - APPENDIX
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Bibliography
330 -
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Interview Bibliography
336 -
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Illustration Credits
337 -
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On the Author
338 -
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Acknowledgments
338 -
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Index of Buildings
339 -
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Index of Building Types
340 -
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Index of Locations
340 -
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Index of Media
341 -
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Index of Persons and Firms
341 -
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Index of Subjects
343
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