Celtic Tattoos: Ancient, Medieval, and Postmodern

Kapitel in diesem Buch

1. Frontmatter i
2. Acknowledgments vi
3. Contents vii
4. Editorial Note xi
5. List of Illustrations xiv
6. I: Defining Neomedievalism(s) II: Some More Perspective(s)
7. Baphomet Incorporated, A Case Study 1
8. (Re)producing (Neo)medievalism 11
9. Neomedievalism, Identification, and the Haze of Medievalisms 21
10. Medieval Resurfacings, Old and New 35
11. II: (Neo-)Medievalist Interpretations
12. Quentin Durward and Louis XI: Sir Walter Scott as Historian 43
13. Chivalric Terrors: The Gendered Perils of Medievalism in M. E. Braddon’s Lady Audley’s Secret 61
14. “Lessons Fairer than Flowers”: Mary Eliza Haweis’s Chaucer for Children and Models of Friendship 79
15. Borges and the North 99
16. O Rare Ellis Peters: Two Rules for Medieval Murder 129
17. Performing Medieval Literature and/as History: The Museum of Wolframs-Eschenbach 147
18. Celtic Tattoos: Ancient, Medieval, and Postmodern 171
19. Notes on Contributors 191
20. Previously published volumes 195