6: “So It Has to Be Said: Hammer and Sickle Here, Hammer and Sickle There”: Heynowski-Scheumann’s Die Angkar (1981) and the Problem of Khmer Rouge Violence for the GDR

Kapitel in diesem Buch

1. Frontmatter i
2. Contents vi
3. Illustrations viii
4. Acknowledgments x
5. Introduction 1
6. 1: Projecting Violence Elsewhere: Remembering Conflict-Related Sexual Violence in Cold War Germany 18
7. 2: Watching Violence Elsewhere: Louis Malle’s Viva Maria! in 1960s West Germany 38
8. 3: Images as Weapons: DEFA, Studio H&S, and the Global Cold War 60
9. 4: KriegsErklärung (Declaration of War): Volker Braun’s Cold War Camera 81
10. 5: The Vietnam Veteran in Anna Seghers’s Steinzeit (Stone Age, 1975) 104
11. 6: “So It Has to Be Said: Hammer and Sickle Here, Hammer and Sickle There”: Heynowski-Scheumann’s Die Angkar (1981) and the Problem of Khmer Rouge Violence for the GDR 127
12. 7: Narrating Violent Agency Elsewhere in Inge Viett’s Nie war ich furchtloser (Never Was I More Fearless, 1996) 149
13. 8: Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized “9/11” 174
14. Selected Bibliography 197
15. Contributors 209
16. Index 213