10 MERCHANTS’ TOMBS IN ALABASTER

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. ILLUSTRATIONS vii
4. CONTRIBUTORS xvii
5. INTRODUCTION 1
6. 1 ‘BURTON-UPON-TRENT, NOT NOTTINGHAM.’ THE EVOLVING STUDY OF MEDIEVAL ENGLISH ALABASTER SCULPTURE 35
7. 2 STONE TO ENSURE VICTORY AND TO GENERATE FRIENDSHIPS. ON THE MEANING OF ALABASTER 51
8. 3 CONTEXTUALISING ENGLISH ALABASTERS IN THE MATERIAL CULTURE OF THE MEDIEVAL MEDITERRANEAN 71
9. 4 ENGLISH ALABASTER IMAGES AS RECIPIENTS OF MUSIC IN THE LONG FIFTEENTH CENTURY: ENGLISH SACRED TRADITIONS IN A EUROPEAN PERSPECTIVE 93
10. 5 CONTEXTUALISING ALABASTERS: IN THEIR IMMERSIVE ENVIRONMENT. THE ‘ANCONA D’ALLABASTRO DI DIVERSE FIGURE’ OF THE NOVALESA ABBEY: MEANING AND FUNCTION 127
11. 6 ALABASTER CARVINGS IN LATE-MEDIEVAL LINCOLNSHIRE 150
12. 7 ‘TABERNACLES, HOWSYNGES AND OTHER THINGS’. THREE ALABASTERS FROM THE BURRELL COLLECTION IN CONTEXT 173
13. 8 CONSERVATION STUDY OF THREE ALABASTER CARVINGS FROM THE BURRELL COLLECTION, GLASGOW MUSEUMS 194
14. 9 ‘SMOOTH AS MONUMENTAL ALABASTER’. THE ALABASTER TOMB INDUSTRY IN ENGLAND, 1550–1660 214
15. 10 MERCHANTS’ TOMBS IN ALABASTER 236
16. 11 EXPLORING ALICE: THE THEOLOGICAL, SOCIO-HISTORICAL, AND ANATOMICAL CONTEXT OF THE DE LA POLE CADAVER SCULPTURE 276
17. BIBLIOGRAPHY 296
18. INDEX 340