Introduction

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS vii
3. Acknowledgments ix
4. Note on Musical Examples xiii
5. Introduction 1
6. 1 Mahler and Copland in New York 10
7. 2 Mahler in Nadia Boulanger’s Studio and Beyond 20
8. 3 Copland in Defense of Mahler 41
9. 4 Mahler in Copland’s Jewish Romanticism 67
10. 5 Mahler’s Idiom in Copland’s “American” Sound 82
11. 6 Copland, Koussevitzky, Mahler, and the Canon 114
12. 7 Copland’s Role in Bernstein’s Mahler Advocacy 140
13. Conclusion 172
14. Notes 175
15. Bibliography 199
16. Index 215