Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. List of Illustrations ix
4. Contributors xiii
5. Acknowledgements xvii
6. Abbreviations used in the notes xx
7. Introduction Rhapsody and Rebuke: Goethe’s Faust in Music 1
8. PART I Goethe’s Faust Content and Context
9. 1 The Redress of Goethe’s Faust in Music History 21
10. 2 Wagering on Modernity: Goethe’s Eighteenth-Century Faust 45
11. 3 Reflectivity, Music and the Modern Condition: Thoughts on Goethe’s Faust 61
12. 4 Music and Metaphorical Thinking in Goethe’s Faust: The Example of Harmony 73
13. 5 Faust: The Instrumentalisation of an Icon 86
14. PART II Legacies Goethe’s Faust in the Nineteenth Century
15. 6 Faust’s Schubert: Schubert’s Faust 99
16. 7 The Musical Novel as Master-genre: Schumann’s Szenen aus Goethes Faust 117
17. 8 The Psychology of Schumann’s Faust: Developing the Human Soul 137
18. 9 A Life with Goethe: Wagner’s Engagement with Faust in Music and in Words 155
19. 10 Wagner’s Ninth: Reading Beethoven with Faust 172
20. 11 Linking Christian and Faustian Utopias: Mahler’s Setting of the Schlußszene in his Eighth Symphony 183
21. PART III Topographies Stagings and Critical Reception
22. 12 Operatic Translation and Adaptation: Gounod’s Faust, with a Tribute to Ken Russell 199
23. 13 ‘Adapters, Falsifiers and Profiteers’: Staging La Damnation de Faust in Monte Carlo and Paris, 1893–1903 214
24. 14 Faust in the Trenches: Busoni’s Doktor Faust 230
25. PART IV New Directions Recent Productions and Appropriations
26. 15 As Goethe Intended? Max Reinhardt’s Faust Productions and the Aesthetics of Incidental Music in the Early Twentieth Century 243
27. 16 Music and the Rebirth of Faust in the GDR 262
28. 17 Music, Text and Stage: Peter Stein’s Production of Goethe’s Faust 276
29. 18 ‘Devilishly good’: Rudolf Volz’s Rock Opera Faust and ‘Event Culture’ 289
30. Select Bibliography 305
31. Index 326