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    Frontmatter
Chapters in this book
- Frontmatter i
 - Contents v
 - List of Illustrations vii
 - Acknowledgements xii
 - Introduction. Photography as an Ethics of Seeing 1
 - 1. Thoughts on Photography and the Practice of History 23
 - 2. Seeing the ‘Savage’ and the Suspension of Time 37
 - 3. The ‘Face of War’ in Weimar Visual Culture 57
 - 4. Documenting Heimkehr 79
 - 5. Visible Trophies of War 108
 - 6. Gazing at Ruins 138
 - 7. Edmund Kesting’s Polyphonic Portraits, and the Abstract Face of the Socialist Self in East Germany 157
 - 8. Seeing Subjectivity 182
 - 9. Photographing Reurbanization in West Berlin, 1977–84 205
 - 10. The Diversification of East Germany’s Visual Culture 227
 - 11. The Intimacy of Revolution: 1989 in Pictures 250
 - Epilogue. Hope Flies; Death Dances 274
 - Index 287
 
Chapters in this book
- Frontmatter i
 - Contents v
 - List of Illustrations vii
 - Acknowledgements xii
 - Introduction. Photography as an Ethics of Seeing 1
 - 1. Thoughts on Photography and the Practice of History 23
 - 2. Seeing the ‘Savage’ and the Suspension of Time 37
 - 3. The ‘Face of War’ in Weimar Visual Culture 57
 - 4. Documenting Heimkehr 79
 - 5. Visible Trophies of War 108
 - 6. Gazing at Ruins 138
 - 7. Edmund Kesting’s Polyphonic Portraits, and the Abstract Face of the Socialist Self in East Germany 157
 - 8. Seeing Subjectivity 182
 - 9. Photographing Reurbanization in West Berlin, 1977–84 205
 - 10. The Diversification of East Germany’s Visual Culture 227
 - 11. The Intimacy of Revolution: 1989 in Pictures 250
 - Epilogue. Hope Flies; Death Dances 274
 - Index 287