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5. Visible Trophies of War
German Occupiers’ Photographic Perceptions of France, 1940–44
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Julia Torrie
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Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgements xii
- Introduction. Photography as an Ethics of Seeing 1
- 1. Thoughts on Photography and the Practice of History 23
- 2. Seeing the ‘Savage’ and the Suspension of Time 37
- 3. The ‘Face of War’ in Weimar Visual Culture 57
- 4. Documenting Heimkehr 79
- 5. Visible Trophies of War 108
- 6. Gazing at Ruins 138
- 7. Edmund Kesting’s Polyphonic Portraits, and the Abstract Face of the Socialist Self in East Germany 157
- 8. Seeing Subjectivity 182
- 9. Photographing Reurbanization in West Berlin, 1977–84 205
- 10. The Diversification of East Germany’s Visual Culture 227
- 11. The Intimacy of Revolution: 1989 in Pictures 250
- Epilogue. Hope Flies; Death Dances 274
- Index 287
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgements xii
- Introduction. Photography as an Ethics of Seeing 1
- 1. Thoughts on Photography and the Practice of History 23
- 2. Seeing the ‘Savage’ and the Suspension of Time 37
- 3. The ‘Face of War’ in Weimar Visual Culture 57
- 4. Documenting Heimkehr 79
- 5. Visible Trophies of War 108
- 6. Gazing at Ruins 138
- 7. Edmund Kesting’s Polyphonic Portraits, and the Abstract Face of the Socialist Self in East Germany 157
- 8. Seeing Subjectivity 182
- 9. Photographing Reurbanization in West Berlin, 1977–84 205
- 10. The Diversification of East Germany’s Visual Culture 227
- 11. The Intimacy of Revolution: 1989 in Pictures 250
- Epilogue. Hope Flies; Death Dances 274
- Index 287
