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Startseite Berghahn Books 1 PRIVATE AND PUBLIC FILTERS: MEMORIES OF WAR IN HEINRICH BÖLL’S FICTION AND NONFICTION
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1 PRIVATE AND PUBLIC FILTERS: MEMORIES OF WAR IN HEINRICH BÖLL’S FICTION AND NONFICTION

© 2022, Berghahn Books, New York, Oxford

© 2022, Berghahn Books, New York, Oxford

Kapitel in diesem Buch

  1. Frontmatter i
  2. CONTENTS v
  3. PREFACE ix
  4. INTRODUCTION: STUDYING EUROPEAN LITERARY MEMORIES xiii
  5. PART I THE GERMAN SOLDIER’S MEMORY
  6. 1 PRIVATE AND PUBLIC FILTERS: MEMORIES OF WAR IN HEINRICH BÖLL’S FICTION AND NONFICTION 1
  7. PART II THE RESISTANCE MEMORY
  8. The Female Resister
  9. 2 ORDINARY HEROINES: RESISTANCE AND ROMANCE IN THE WAR FICTION OF ELSA TRIOLET 11
  10. 3 ‘THIS BOOK DOES NOT WANT TO BE A WORK OF ART. THIS BOOK IS TRUTH.’ THE DIARIES OF RUTH ANDREAS-FRIEDRICH 23
  11. 4 A WOMAN’S PERSPECTIVE: AUTOBIOGRAPHY AND HISTORY IN GIOVANNA ZANGRANDI’S RESISTANCE NARRATIVES 35
  12. The Male Resister
  13. 5 VERCORS – WRITING THE UNSPEAKABLE: FROM LE SILENCE DE LA MER (1942) TO LA PUISSANCE DU JOUR (1951) 45
  14. 6 ‘A HISTORY FULL OF HOLES’? FRANCE AND THE FRENCH RESISTANCE IN THE WORK OF STEPHAN HERMLIN 55
  15. 7 WAR, CIVIL WAR AND THE PROBLEM OF VIOLENCE IN CALVINO AND PAVESE 67
  16. 8 IMAGINING LOSERS IN BUFALINO’S DICERIA DELL’UNTORE 78
  17. PART III THE FASCIST’S MEMORY
  18. 9 MEMORY AND CHRONICLE: LOUIS-FERDINAND CÉLINE AND THE D’UN CHÂTEAU L’AUTRE TRILOGY 87
  19. 10 PORTRAIT OF THE POET AS A DEAD MAN. ERNST JÜNGER’S WRITING IN THE SECOND WORLD WAR: STRAHLUNGEN 99
  20. 11 CHANGING IDENTITIES THROUGH MEMORY: MALAPARTE’S SELF-FIGURATIONS IN KAPUTT 110
  21. PART IV THE VICTIM’S MEMORY
  22. 12 REVIEWING MEMORY: WIESEL, TESTIMONY AND SELF-READING 121
  23. 13 PRIMO LEVI. THE DUTY OF MEMORY 131
  24. 14 LA DOULEUR: DURAS, AMNESIA AND DESIRE 141
  25. 15 MYTH, MEMORY, TESTIMONY, JEWISHNESS IN GRETE WEIL’S MEINE SCHWESTER ANTIGONE 149
  26. PART V THE MEDIA OF MEMORY: MAY 1968 AND CINEMA
  27. 16 L’ARMÉE DES OMBRES AND LE CHAGRIN ET LA PITIÉ: RECONFIGURATIONS OF LAW, LEGALITIES AND THE STATE IN POST-1968 FRANCE 159
  28. 17 ALEXANDER KLUGE: GERMANY – AN EXPERIENCE OF WORDS AND IMAGES 175
  29. 18 FASCISM AND ANTI-FASCISM REVIEWED: GENERATIONS, HISTORY AND FILM IN ITALY AFTER 1968 185
  30. PART VI WOMEN’S WRITING AND THE QUEST FOR THE FATHER
  31. 19 REMEMBERING THE COLLABORATING FATHER IN MARIE CHAIX’S LES LAURIERS DU LAC DE CONSTANCE AND EVELYNE LE GARREC’S LA RIVE ALLEMANDE DE MA MÉMOIRE 201
  32. 20 SEEING THE FATHER: MEMORY AND IDENTITY CONSTRUCTION IN ELISABETH PLESSEN’S MITTEILUNG AN DEN ADEL 211
  33. 21 INTIMATIONS OF PATRIARCHY: MEMORIES OF WARTIME JAPAN IN DACIA MARAINI’S BAGHERIA 220
  34. PART VII A CHILD’S MEMORY
  35. 22 A CHILD IN TIME: PATRICK MODIANO AND THE MEMORY OF THE OCCUPATION 229
  36. 23 CHILDHOOD MEMORY AND MORAL RESPONSIBILITY: CHRISTA WOLF’S KINDHEITSMUSTER 238
  37. 24 STRATEGIES FOR REMEMBERING: AUSCHWITZ, MOTHER AND WRITING IN EDITH BRUCK 247
  38. PART VIII AFTER THE COLD WAR: EUROPEAN LITERATURE AND THE POLITICS OF MEMORY
  39. 25 TRAUMA AND ABSENCE 257
  40. 26 NONRATIONAL DISCOURSE IN A WORK OF REASON: PETER WEISS’S ANTI-FASCIST NOVEL DIE ÄSTHETIK DES WIDERSTANDS 272
  41. 27 FIFTY YEARS ON: GERMAN CHILDREN OF THE WAR REMEMBER 281
  42. 28 MEMORIES OF RESISTANCE, RESISTANCES OF MEMORY 288
  43. NOTES ON CONTRIBUTORS 297
  44. BIBLIOGRAPHY 302
  45. INDEX 326
Heruntergeladen am 23.3.2026 von https://www.degruyterbrill.com/document/doi/10.1515/9781782389637-003/html
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