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12. Roll Over Beethoven! Chuck Berry! Mick Jagger! 1960s Rock, the Myth of Progress, and the Burden of National Identity in West Germany
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Introduction: Sound Matters 1
-
Part I: Sound Nation?
- 1. Hegemony through Harmony: German Identity, Music, and Enlightenment around 1800 33
- 2. Mahler contra Wagner: The Third Symphony and the Political Legacy of Romanticism 49
- 3. Conducting Music, Conducting War: Nazi Germany as an Acoustic Experience 65
-
Part II: Dissonant Visions
- 4. The Politics and Sounds of Everyday Life in Kuhle Wampe 79
- 5. Sound Money: Aural Strategies in Rolf Thiele’s The Girl Rosemarie 91
- 6. The Castrato’s Voices: Word and Flesh in Fassbinder’s In a Year of Thirteen Moons 104
-
Part III: Sounds of Silence
- 7. Benjamin’s Silence 117
- 8. Deafening Sound and Troubling Silence in Volker Schlöndorff’s Die Blechtrommel 130
- 9. Silence Is Golden? The Short Fiction of Pieke Biermann 142
-
Part IV: Translating Sound
- 10. Broadcasting Wagner: Transmission, Dissemination, Translation 155
- 11. Sounds Familiar? Nina Simone’s Performances of Brecht/Weill Songs 171
- 12. Roll Over Beethoven! Chuck Berry! Mick Jagger! 1960s Rock, the Myth of Progress, and the Burden of National Identity in West Germany 183
- 13. The Music That Lola Ran To 197
-
Part V: Memory, Music, and the Postmodern
- 14. “Heiner Müller vertonen”: Heiner Goebbels and the Music of Postmodern Memory 217
- 15. The Technological Subject: Music, Media, and Memory in Stockhausen’s Hymnen 228
- Notes on Contributors 242
- Index 245
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Introduction: Sound Matters 1
-
Part I: Sound Nation?
- 1. Hegemony through Harmony: German Identity, Music, and Enlightenment around 1800 33
- 2. Mahler contra Wagner: The Third Symphony and the Political Legacy of Romanticism 49
- 3. Conducting Music, Conducting War: Nazi Germany as an Acoustic Experience 65
-
Part II: Dissonant Visions
- 4. The Politics and Sounds of Everyday Life in Kuhle Wampe 79
- 5. Sound Money: Aural Strategies in Rolf Thiele’s The Girl Rosemarie 91
- 6. The Castrato’s Voices: Word and Flesh in Fassbinder’s In a Year of Thirteen Moons 104
-
Part III: Sounds of Silence
- 7. Benjamin’s Silence 117
- 8. Deafening Sound and Troubling Silence in Volker Schlöndorff’s Die Blechtrommel 130
- 9. Silence Is Golden? The Short Fiction of Pieke Biermann 142
-
Part IV: Translating Sound
- 10. Broadcasting Wagner: Transmission, Dissemination, Translation 155
- 11. Sounds Familiar? Nina Simone’s Performances of Brecht/Weill Songs 171
- 12. Roll Over Beethoven! Chuck Berry! Mick Jagger! 1960s Rock, the Myth of Progress, and the Burden of National Identity in West Germany 183
- 13. The Music That Lola Ran To 197
-
Part V: Memory, Music, and the Postmodern
- 14. “Heiner Müller vertonen”: Heiner Goebbels and the Music of Postmodern Memory 217
- 15. The Technological Subject: Music, Media, and Memory in Stockhausen’s Hymnen 228
- Notes on Contributors 242
- Index 245