Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
18 Kidnapping and Representation: Images of a Sovereign in the Making
-
Claudia Liliana Salamanca Sánchez
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction: Territories of Conflict through Colombian Cultural Studies 1
-
Part One: Violence, Memory, and Nation
- 1 Narratives of the Past in History Textbooks 23
- 2 The Duty of Memory: La Violencia between Remembrance and Forgetting 37
- 3 National Identity in Colombian Comics: Between Violence and New Configurations 49
- 4 Victims and Warriors: Representations and Self-Representations of the FARC-EP and Its Leaders 69
- 5 Charisma and Nation in the Hegemony of Uribismo in Colombia 80
-
Part Two: Space, Ethnicity, and the Environment
- 6 The Greenhouse Gaze: Climate and Culture in Colombia (1808–1934) 97
- 7 The Darién Gap: Political Discourse and Economic Development in Colombia 112
- 8 Safeguarding the Witoto: How Indigenous Law May Challenge the Universality of Human Rights 121
- 9 The Soundscape and the Reshaping of Territories: Neighborhood Sounds in San Nicolás, Cali 135
-
Part Three: Body and Gender Politics
- 10 The Amputated Body: Ghostly and Literal Presence 147
- 11 Colombian Women Activists and the Potential for Peace 160
- 12 Beauty Queens and Theme Parks: Coffee Culture in Contemporary Colombia 175
- 13 Amores Invisibles: The Politics of Gender in the Colombian Cultural Industry 189
-
Part Four: Musical and Visual Landscapes
- 14 Unheard Claims, Well-Known Rhythms: The Musical Guerrilla FARC-EP (1988–2010) 209
- 15 The Case of Chocquibtown: Approaches to the Nation in Contemporary New Colombian Music 221
- 16 Weaving Words and Meanings for the Colombian Countryside: Jorge Velosa’s Carranguera Lyrics 231
- 17 Natural Plots: The Rural Turn in Contemporary Colombian Cinema 248
- 18 Kidnapping and Representation: Images of a Sovereign in the Making 267
- 19 Going Down Narco Memory Lane: Pablo Escobar in the Visual Media 282
- List of Contributors 295
- Index 299
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction: Territories of Conflict through Colombian Cultural Studies 1
-
Part One: Violence, Memory, and Nation
- 1 Narratives of the Past in History Textbooks 23
- 2 The Duty of Memory: La Violencia between Remembrance and Forgetting 37
- 3 National Identity in Colombian Comics: Between Violence and New Configurations 49
- 4 Victims and Warriors: Representations and Self-Representations of the FARC-EP and Its Leaders 69
- 5 Charisma and Nation in the Hegemony of Uribismo in Colombia 80
-
Part Two: Space, Ethnicity, and the Environment
- 6 The Greenhouse Gaze: Climate and Culture in Colombia (1808–1934) 97
- 7 The Darién Gap: Political Discourse and Economic Development in Colombia 112
- 8 Safeguarding the Witoto: How Indigenous Law May Challenge the Universality of Human Rights 121
- 9 The Soundscape and the Reshaping of Territories: Neighborhood Sounds in San Nicolás, Cali 135
-
Part Three: Body and Gender Politics
- 10 The Amputated Body: Ghostly and Literal Presence 147
- 11 Colombian Women Activists and the Potential for Peace 160
- 12 Beauty Queens and Theme Parks: Coffee Culture in Contemporary Colombia 175
- 13 Amores Invisibles: The Politics of Gender in the Colombian Cultural Industry 189
-
Part Four: Musical and Visual Landscapes
- 14 Unheard Claims, Well-Known Rhythms: The Musical Guerrilla FARC-EP (1988–2010) 209
- 15 The Case of Chocquibtown: Approaches to the Nation in Contemporary New Colombian Music 221
- 16 Weaving Words and Meanings for the Colombian Countryside: Jorge Velosa’s Carranguera Lyrics 231
- 17 Natural Plots: The Rural Turn in Contemporary Colombian Cinema 248
- 18 Kidnapping and Representation: Images of a Sovereign in the Making 267
- 19 Going Down Narco Memory Lane: Pablo Escobar in the Visual Media 282
- List of Contributors 295
- Index 299