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The Dawn of Music Semiology
Essays in Honor of Jean-Jacques Nattiez
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Herausgegeben von:
Jonathan Dunsby
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Mit Beiträgen von:
Arnold Whittall
Sprache:
Englisch
Veröffentlicht/Copyright:
2017
Über dieses Buch
Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives.
The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us.
Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition.
CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall
Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.
The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us.
Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition.
CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall
Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.
Information zu Autoren / Herausgebern
Contributor: Arnold Whittall
ARNOLD WHITTALL is Professor Emeritus of Music Theory & Analysis, King's College London and one of the leading authorities on twentieth-century music and analysis.
Fachgebiete
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Frontmatter
i -
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Contents
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Foreword: About Jean-Jacques Nattiez
vii -
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Acknowledgments
xi -
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Introduction
1 - Part One. Metaconsiderations
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Chapter One. Music and Gesture
11 -
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Chapter Two. Music Semiology in the Mind of the Musician
23 -
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Chapter Three. Against Ethnotheory
38 - Part Two. Poietic Channels
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Chapter Four. From Georgian to Medieval Polyphonies: Analysis and Modeling
59 -
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Chapter Five. Schenker’s Inhalt, Schenkerian Semiotics: A Preliminary Study
81 -
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Chapter Six. Music under the Sign of Modernism From Wagner to Boulez, and Britten
97 - Part Three. Esthesic Excursions
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Chapter Seven. Musical Borrowings in the Works of Bruno Maderna
119 -
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Chapter Eight. Of Doubles, Groups, and Rhymes: A Seriation of Works for Spatialized Orchestral Groups (1958–60)
139 -
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Chapter Nine. The Psychological Organization of Music Listening: From Spontaneous to Learned Perceptive Processes
177 -
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Selected Bibliography Works by Jean-Jacques Nattiez
201 -
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Contributors
205 -
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Index
209 -
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Tabula Gratulatoria
215
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
28. Februar 2024
eBook ISBN:
9781782049180
Ursprünglicher Verlag:
University of Rochester Press
Seiten und Bilder/Illustrationen im Buch
eBook ISBN:
9781782049180
Zielgruppe(n) für dieses Buch
For an expert adult audience, including professional development and academic research
