Chapter Six. Music under the Sign of Modernism From Wagner to Boulez, and Britten

Chapters in this book

1. Frontmatter i
2. Contents v
3. Foreword: About Jean-Jacques Nattiez vii
4. Acknowledgments xi
5. Introduction 1
6. Part One. Metaconsiderations
7. Chapter One. Music and Gesture 11
8. Chapter Two. Music Semiology in the Mind of the Musician 23
9. Chapter Three. Against Ethnotheory 38
10. Part Two. Poietic Channels
11. Chapter Four. From Georgian to Medieval Polyphonies: Analysis and Modeling 59
12. Chapter Five. Schenker’s Inhalt, Schenkerian Semiotics: A Preliminary Study 81
13. Chapter Six. Music under the Sign of Modernism From Wagner to Boulez, and Britten 97
14. Part Three. Esthesic Excursions
15. Chapter Seven. Musical Borrowings in the Works of Bruno Maderna 119
16. Chapter Eight. Of Doubles, Groups, and Rhymes: A Seriation of Works for Spatialized Orchestral Groups (1958–60) 139
17. Chapter Nine. The Psychological Organization of Music Listening: From Spontaneous to Learned Perceptive Processes 177
18. Selected Bibliography Works by Jean-Jacques Nattiez 201
19. Contributors 205
20. Index 209
21. Tabula Gratulatoria 215