Presented to you through Paradigm Publishing Services
Pontifical Institute of Mediaeval Studies
Chapter
Licensed
Unlicensed
Requires Authentication
Women in Love: On the Unity of The Legend of Good Women and Troilus and Criseyde
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter I
- Contents VII
- Abbreviations IX
- Aesthetics and Earlier English Literature: An Introduction to the Gathering 1
- The Aesthetics of “Cædmon’s Hymn” 5
- The Art of the Psychological Narrative in Old English and Old Saxon Verse 11
- Naming the Enemy and Identifying Ourselves: The Warriors of Maldon 35
- Fear, Time, and Lack: The Egesa of Beowulf 53
- Geometrical Proportion and the Music of Voweled Undersong in The Dream of the Rood 67
- Troilus and Criseyde and the Modes of Beauty 78
- Women in Love: On the Unity of The Legend of Good Women and Troilus and Criseyde 96
- Chaucer’s Insatiable Wives: Women Eating Men and the Romantic Turn in the Canterbury Tales 115
- Doubling and the Thopas-Melibee Link 129
- “His lady grace” and the Performance of the Squire 142
- Mood, Tense, Pronouns, Questions: Chaucer and the Poetry of Grammar 165
- Art for Art’s Sake: Aesthetic Decisions in John Gower’s Cinkante Balades 179
- Recipes for the Realm: John Lydgate’s ‘Soteltes’ and The Debate of the Horse, Goose, and Sheep 194
- Devotional Practice in “Crafted” Mystical Prose and Poetry: A Preliminary Inquiry 216
- Trawþe and Tresoun: Translating Sir Gawain and the Green Knight 228
- Cosmopolitanism, Medievalism, and Romanticism: The Case of Coleridge 244
- ‘A Definite Claim to Beauty’: The Canterbury Tales in the Kelmscott Chaucer 262
- Howell Chickering: A Bibliography 291
- Contributors 294
Chapters in this book
- Frontmatter I
- Contents VII
- Abbreviations IX
- Aesthetics and Earlier English Literature: An Introduction to the Gathering 1
- The Aesthetics of “Cædmon’s Hymn” 5
- The Art of the Psychological Narrative in Old English and Old Saxon Verse 11
- Naming the Enemy and Identifying Ourselves: The Warriors of Maldon 35
- Fear, Time, and Lack: The Egesa of Beowulf 53
- Geometrical Proportion and the Music of Voweled Undersong in The Dream of the Rood 67
- Troilus and Criseyde and the Modes of Beauty 78
- Women in Love: On the Unity of The Legend of Good Women and Troilus and Criseyde 96
- Chaucer’s Insatiable Wives: Women Eating Men and the Romantic Turn in the Canterbury Tales 115
- Doubling and the Thopas-Melibee Link 129
- “His lady grace” and the Performance of the Squire 142
- Mood, Tense, Pronouns, Questions: Chaucer and the Poetry of Grammar 165
- Art for Art’s Sake: Aesthetic Decisions in John Gower’s Cinkante Balades 179
- Recipes for the Realm: John Lydgate’s ‘Soteltes’ and The Debate of the Horse, Goose, and Sheep 194
- Devotional Practice in “Crafted” Mystical Prose and Poetry: A Preliminary Inquiry 216
- Trawþe and Tresoun: Translating Sir Gawain and the Green Knight 228
- Cosmopolitanism, Medievalism, and Romanticism: The Case of Coleridge 244
- ‘A Definite Claim to Beauty’: The Canterbury Tales in the Kelmscott Chaucer 262
- Howell Chickering: A Bibliography 291
- Contributors 294