Kapitel
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1. Nuclear Discourse, or Literature after Chornobyl
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Tamara Hundorova
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vii
- Translator’s Acknowledgements ix
- A Note on Transliteration xi
- Preface xiii
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PART ONE. Chornobyl and Postmodernism
- 1. Nuclear Discourse, or Literature after Chornobyl 3
- 2. Nuclear Apocalypse and Postmodernism 10
- 3. The Socialist Realist Chornobyl Discourse 16
- 4. Nuclear (Non)-Representation 22
- 5. Chornobyl and Virtuality 28
- 6. Chornobyl and the Cultural Archive 33
- 7. Chornobyl Postmodern Topography 38
- 8. Chornobyl and the Crisis of Language 44
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PART TWO. Post-Totalitarian Trauma and Ukrainian Postmodernism
- 9. Postmodernism: The Synchronization of History 51
- 10. Ukrainian Postmodernism: The Historical Framework 60
- 11. A Farewell to the Classic 66
- 12. The “Ex-Centricity” of the Great Character 83
- 13. Postmodernism and the “Cultural Organic” 91
- 14. Postmodernism as Ironic Behavior 96
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PART THREE. The Postmodern Carnival
- 15. Bu-Ba-Bu: A New Literary Formation 103
- 16. The Carnivalesque Postmodern 109
- 17. Yuri Andrukhovych’s Carnival: A History of Self-Destruction 119
- 18. After the Carnival: Bu-Ba-Bu Postmortem 136
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PART FOUR. Faces and Topoi of Ukrainian Postmodernism
- 19. Narrative Apocalypse: Taras Prokhasko’s Topographic Writing 157
- 20. The Virtual Apocalypse: The Post-Verbal Writing of Yurko Izdryk 164
- 21. The Grotesques of the Kyiv Underground: Dibrova— Zholdak—Podervianskyi 175
- 22. Feminist Postmodernism: Oksana Zabuzhko 186
- 23. Postmodern Europe: Revision, Nostalgia, and Revenge 198
- 24. The Chornobyl Apocalypse of Yevhen Pashkovsky 210
- 25. The Postmodern Homelessness of Serhiy Zhadan 218
- 26. Volodymyr Tsybulko’s Pop-Postmodernism 237
- 27. The (De)KONstructed Postmodernism of Yuriy Tarnawsky 253
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PART FIVE. Postscript
- A Comment from the “End of Postmodernism” 269
- A Commentary on the “End of Ukrainian Postmodernism” 290
- Bibliography 303
- Index 315
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgements vii
- Translator’s Acknowledgements ix
- A Note on Transliteration xi
- Preface xiii
-
PART ONE. Chornobyl and Postmodernism
- 1. Nuclear Discourse, or Literature after Chornobyl 3
- 2. Nuclear Apocalypse and Postmodernism 10
- 3. The Socialist Realist Chornobyl Discourse 16
- 4. Nuclear (Non)-Representation 22
- 5. Chornobyl and Virtuality 28
- 6. Chornobyl and the Cultural Archive 33
- 7. Chornobyl Postmodern Topography 38
- 8. Chornobyl and the Crisis of Language 44
-
PART TWO. Post-Totalitarian Trauma and Ukrainian Postmodernism
- 9. Postmodernism: The Synchronization of History 51
- 10. Ukrainian Postmodernism: The Historical Framework 60
- 11. A Farewell to the Classic 66
- 12. The “Ex-Centricity” of the Great Character 83
- 13. Postmodernism and the “Cultural Organic” 91
- 14. Postmodernism as Ironic Behavior 96
-
PART THREE. The Postmodern Carnival
- 15. Bu-Ba-Bu: A New Literary Formation 103
- 16. The Carnivalesque Postmodern 109
- 17. Yuri Andrukhovych’s Carnival: A History of Self-Destruction 119
- 18. After the Carnival: Bu-Ba-Bu Postmortem 136
-
PART FOUR. Faces and Topoi of Ukrainian Postmodernism
- 19. Narrative Apocalypse: Taras Prokhasko’s Topographic Writing 157
- 20. The Virtual Apocalypse: The Post-Verbal Writing of Yurko Izdryk 164
- 21. The Grotesques of the Kyiv Underground: Dibrova— Zholdak—Podervianskyi 175
- 22. Feminist Postmodernism: Oksana Zabuzhko 186
- 23. Postmodern Europe: Revision, Nostalgia, and Revenge 198
- 24. The Chornobyl Apocalypse of Yevhen Pashkovsky 210
- 25. The Postmodern Homelessness of Serhiy Zhadan 218
- 26. Volodymyr Tsybulko’s Pop-Postmodernism 237
- 27. The (De)KONstructed Postmodernism of Yuriy Tarnawsky 253
-
PART FIVE. Postscript
- A Comment from the “End of Postmodernism” 269
- A Commentary on the “End of Ukrainian Postmodernism” 290
- Bibliography 303
- Index 315