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Robert Morris
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xiii
- Overture: Some Issues Facing the Contemporary American Composer xv
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Part One: Essays on Composers
- 1 Cage Contemplating/Contemplating Cage 1
- 2 Some Things I Learned (Didn’t Learn) from Milton Babbitt, or Why I Am (Am Not) a Serial Composer 27
- 3 Not Only Rows in Richard Swift’s Roses Only 85
- 4 A Footnote to Hasty, Whitehead, and Plato: More Thoughts on Stefan Wolpe’s Music 112
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Part Two: Talks on My Music
- 5 Composing Each Time 119
- 6 Why Not Lilacs 184
- 7 Cold Mountain Songs 213
- 8 Music as Poetry: A Talk on My Fourteen Little Piano Pieces 234
- 9 Nature, Music and Nature, My Music Outdoors 259
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Part Three: Essays on Criticism and Aesthetics
- 10 Aspects of Confluence between Western Art Music and Ethnomusicology 303
- 11 Musical Form, Expectation, Attention, and Quality 313
- 12 Autocommentary: Thoughts on Music Theory at the Millennium 327
- 13 Thinking about Musical Time 336
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Appendixes
- A Some Serial Music Terms 357
- B Set-Class Table 359
- C Hexachordal Combinatoriality 367
- D Two-Row Combinatoriality 368
- Notes 369
- Bibliography 395
- Index 403
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xiii
- Overture: Some Issues Facing the Contemporary American Composer xv
-
Part One: Essays on Composers
- 1 Cage Contemplating/Contemplating Cage 1
- 2 Some Things I Learned (Didn’t Learn) from Milton Babbitt, or Why I Am (Am Not) a Serial Composer 27
- 3 Not Only Rows in Richard Swift’s Roses Only 85
- 4 A Footnote to Hasty, Whitehead, and Plato: More Thoughts on Stefan Wolpe’s Music 112
-
Part Two: Talks on My Music
- 5 Composing Each Time 119
- 6 Why Not Lilacs 184
- 7 Cold Mountain Songs 213
- 8 Music as Poetry: A Talk on My Fourteen Little Piano Pieces 234
- 9 Nature, Music and Nature, My Music Outdoors 259
-
Part Three: Essays on Criticism and Aesthetics
- 10 Aspects of Confluence between Western Art Music and Ethnomusicology 303
- 11 Musical Form, Expectation, Attention, and Quality 313
- 12 Autocommentary: Thoughts on Music Theory at the Millennium 327
- 13 Thinking about Musical Time 336
-
Appendixes
- A Some Serial Music Terms 357
- B Set-Class Table 359
- C Hexachordal Combinatoriality 367
- D Two-Row Combinatoriality 368
- Notes 369
- Bibliography 395
- Index 403