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Spectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia

  • Sabine Wilke
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Heights of Reflection
Ein Kapitel aus dem Buch Heights of Reflection
© 2012, Boydell and Brewer

© 2012, Boydell and Brewer

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments ix
  4. Introduction: The Meaning of Mountains: Geology, History, Culture 1
  5. Prelude: Classical Mountain Landscapes and the Language of Ascent 20
  6. Part I: First Forays: Mountain Exploration and Celebration from the Middle Ages to the Eighteenth Century
  7. Terra Incognita? Mountains in Medieval and Early Modern German Literature 33
  8. From Meadows to Mountaintops: Albrecht von Haller’s “Die Alpen” 57
  9. Interlude: Geo-Poetics: The Alpine Sublime in Art and Literature, 1779–1860 77
  10. Time and Narrative in the Mountain Sublime around 1800 98
  11. Faust’s Mountains: An Ecocritical Reading of Goethe’s Tragedy and Science 116
  12. Spectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia 134
  13. Part II: Beckoning Heights: Summits Near and Far in the Nineteenth Century
  14. Fascinating Voids: Alexander von Humboldt and the Myth of Chimborazo 151
  15. From Eros to Thanatos: Hiking and Spelunking in Ludwig Tieck’s Der Runenberg 176
  16. Geology, Mountaineering, and Self-Formation in Adalbert Stifter’s Der Nachsommer 193
  17. “An Apparition from Another World”: The Mountains of the Moon and Kilimanjaro from the Perspective of Nineteenth-Century Germany 210
  18. Part III: Modern Expeditions and Evocations: Climbing from the Twentieth into the Twenty-First Century
  19. Leaving the Summit Behind: Tracking Biographical and Philosophical Pathways in Richard Strauss’s Eine Alpensinfonie 229
  20. Elevation and Insight: Thomas Mann’s Der Zauberberg 248
  21. “The Essence of the Alpine World Is Struggle”: Strategies of Gesundung in Arnold Fanck’s Early Mountain Films 267
  22. “Mountain of Destiny”: The Filmic Legacy of Nanga Parbat 285
  23. Spatial Orientation and Embodied Transcendence in Werner Herzog’s Mountain Climbing Films 302
  24. W. G. Sebald’s Magic Mountains 320
  25. Conflicting Ascents: Inscriptions, Cartographies, and Disappearance in Christoph Ransmayr’s Der fliegende Berg 334
  26. Works Cited 349
  27. Notes on the Contributors 379
  28. Index 385
Heruntergeladen am 17.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9781571138262-009/html
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