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Spectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia
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Sabine Wilke
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments ix
- Introduction: The Meaning of Mountains: Geology, History, Culture 1
- Prelude: Classical Mountain Landscapes and the Language of Ascent 20
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Part I: First Forays: Mountain Exploration and Celebration from the Middle Ages to the Eighteenth Century
- Terra Incognita? Mountains in Medieval and Early Modern German Literature 33
- From Meadows to Mountaintops: Albrecht von Haller’s “Die Alpen” 57
- Interlude: Geo-Poetics: The Alpine Sublime in Art and Literature, 1779–1860 77
- Time and Narrative in the Mountain Sublime around 1800 98
- Faust’s Mountains: An Ecocritical Reading of Goethe’s Tragedy and Science 116
- Spectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia 134
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Part II: Beckoning Heights: Summits Near and Far in the Nineteenth Century
- Fascinating Voids: Alexander von Humboldt and the Myth of Chimborazo 151
- From Eros to Thanatos: Hiking and Spelunking in Ludwig Tieck’s Der Runenberg 176
- Geology, Mountaineering, and Self-Formation in Adalbert Stifter’s Der Nachsommer 193
- “An Apparition from Another World”: The Mountains of the Moon and Kilimanjaro from the Perspective of Nineteenth-Century Germany 210
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Part III: Modern Expeditions and Evocations: Climbing from the Twentieth into the Twenty-First Century
- Leaving the Summit Behind: Tracking Biographical and Philosophical Pathways in Richard Strauss’s Eine Alpensinfonie 229
- Elevation and Insight: Thomas Mann’s Der Zauberberg 248
- “The Essence of the Alpine World Is Struggle”: Strategies of Gesundung in Arnold Fanck’s Early Mountain Films 267
- “Mountain of Destiny”: The Filmic Legacy of Nanga Parbat 285
- Spatial Orientation and Embodied Transcendence in Werner Herzog’s Mountain Climbing Films 302
- W. G. Sebald’s Magic Mountains 320
- Conflicting Ascents: Inscriptions, Cartographies, and Disappearance in Christoph Ransmayr’s Der fliegende Berg 334
- Works Cited 349
- Notes on the Contributors 379
- Index 385
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments ix
- Introduction: The Meaning of Mountains: Geology, History, Culture 1
- Prelude: Classical Mountain Landscapes and the Language of Ascent 20
-
Part I: First Forays: Mountain Exploration and Celebration from the Middle Ages to the Eighteenth Century
- Terra Incognita? Mountains in Medieval and Early Modern German Literature 33
- From Meadows to Mountaintops: Albrecht von Haller’s “Die Alpen” 57
- Interlude: Geo-Poetics: The Alpine Sublime in Art and Literature, 1779–1860 77
- Time and Narrative in the Mountain Sublime around 1800 98
- Faust’s Mountains: An Ecocritical Reading of Goethe’s Tragedy and Science 116
- Spectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia 134
-
Part II: Beckoning Heights: Summits Near and Far in the Nineteenth Century
- Fascinating Voids: Alexander von Humboldt and the Myth of Chimborazo 151
- From Eros to Thanatos: Hiking and Spelunking in Ludwig Tieck’s Der Runenberg 176
- Geology, Mountaineering, and Self-Formation in Adalbert Stifter’s Der Nachsommer 193
- “An Apparition from Another World”: The Mountains of the Moon and Kilimanjaro from the Perspective of Nineteenth-Century Germany 210
-
Part III: Modern Expeditions and Evocations: Climbing from the Twentieth into the Twenty-First Century
- Leaving the Summit Behind: Tracking Biographical and Philosophical Pathways in Richard Strauss’s Eine Alpensinfonie 229
- Elevation and Insight: Thomas Mann’s Der Zauberberg 248
- “The Essence of the Alpine World Is Struggle”: Strategies of Gesundung in Arnold Fanck’s Early Mountain Films 267
- “Mountain of Destiny”: The Filmic Legacy of Nanga Parbat 285
- Spatial Orientation and Embodied Transcendence in Werner Herzog’s Mountain Climbing Films 302
- W. G. Sebald’s Magic Mountains 320
- Conflicting Ascents: Inscriptions, Cartographies, and Disappearance in Christoph Ransmayr’s Der fliegende Berg 334
- Works Cited 349
- Notes on the Contributors 379
- Index 385