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3: Fear and Misery in Brecht’s Depiction of Third Reich Germany
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John J. White
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Textual Note ix
- Abbreviations of Works Frequently Cited xi
- 1: The Historical Context of the Furcht und Elend Project 1
- 2: Brecht and Fascism 29
- 3: Fear and Misery in Brecht’s Depiction of Third Reich Germany 70
- 4: “Der Widerstand, und zwar der wachsende Widerstand”: Brecht’s Dramatized Typology of Forms of Opposition 103
- 5: Songs, Poems, and Other Commenting Devices in Furcht und Elend and The Private Life of the Master Race 147
- 6: Epic Structure, Alienation Effects, and Aristotelian Theater 180
- Concluding Remarks 222
- Appendix A: Furcht und Elend Scene Titles and Their English Equivalents 231
- Appendix B: The First Four Verses of “Die deutsche Heerschau” in German and English 232
- Bibliography 235
- Index 253
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Textual Note ix
- Abbreviations of Works Frequently Cited xi
- 1: The Historical Context of the Furcht und Elend Project 1
- 2: Brecht and Fascism 29
- 3: Fear and Misery in Brecht’s Depiction of Third Reich Germany 70
- 4: “Der Widerstand, und zwar der wachsende Widerstand”: Brecht’s Dramatized Typology of Forms of Opposition 103
- 5: Songs, Poems, and Other Commenting Devices in Furcht und Elend and The Private Life of the Master Race 147
- 6: Epic Structure, Alienation Effects, and Aristotelian Theater 180
- Concluding Remarks 222
- Appendix A: Furcht und Elend Scene Titles and Their English Equivalents 231
- Appendix B: The First Four Verses of “Die deutsche Heerschau” in German and English 232
- Bibliography 235
- Index 253