Kapitel in diesem Buch

1. Frontmatter I
2. Acknowledgements V
3. Contents VII
4. List of Illustrations XI
5. Preface 1
6. Part I: Curating Fragments: Itineraries / Reconstructions
7. Chapter 1 Saint Stephen in Stone 9
8. Chapter 2 An English Alabaster Altarpiece of Christ’s Passion Reunited 21
9. Chapter 3 A Fugitive Parliament of Heaven Returns Home 37
10. Part II: Curating Burgundy: Artists / Patrons
11. Chapter 4 When Theory Influences the Gaze: On a Recently Restored Fifteenth-Century Burgundian Virgin from the Louvre 59
12. Chapter 5 “None touches it”: The Library of Anthony of Burgundy 81
13. Chapter 6 The Ceremonial Armor for the Young Emperor Charles V in Vienna: The German Empire, Burgundy, and a Failed Plan for a Habsburg-Tudor Alliance 107
14. Part III: Curating Cleveland: Acquisitions / Display
15. Chapter 7 The Völs-Colonna Armor for Man and Horse in the Cleveland Museum of Art and Its Matching Shield in the Metropolitan Museum of Art 133
16. Chapter 8 In and Out of Fashion: Jan Crocq’s Saint John the Baptist and Saint Catherine 147
17. Chapter 9 A Mosan Madonna in the Cleveland Museum of Art Reconsidered 171
18. Part IV: Curating Artists: Names / Attributions
19. Chapter 10 The Name of the Artist: Do Names Matter? 191
20. Chapter 11 The Case for Simon Marmion – Once Again 213
21. Chapter 12 The Workshop of Van Eyck, the Master of Covarrubias and the Master of the Simpson Carson Madonna 233
22. Curriculum vitae of Stephen N. Fliegel 257
23. Notes on Contributors 265