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chapter 19 Whose Heritage? Unsettling “The Heritage,” Reimagining the Post-Nation

  • Stuart Hall
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© 2024 Duke University Press, Durham, USA

© 2024 Duke University Press, Durham, USA

Kapitel in diesem Buch

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments xi
  4. Introduction 1
  5. Prologue 19
  6. PART I THINKING-WITH/ IN THE IMAGE
  7. chapter 1 Isaac Julien’s Workshop 29
  8. chapter 2 Democracy, Globalization, and Difference 39
  9. chapter 3 The Way We Live Now 55
  10. PART II THE NEW POLITICS OF REPRESENTATION Black Film/British Cinema
  11. chapter 4 New Ethnicities 63
  12. chapter 5 Threatening Pleasures: A Conversation between Homi Bhabha, Paul Gilroy, and Stuart Hall 77
  13. chapter 6 A Rage in Harlesden 86
  14. chapter 7 Cultural Identity and Cinematic Representation 93
  15. PART III FANON, CREOLIZATION, AND DIASPORA
  16. chapter 8 The After-Life of Frantz Fanon: Why Fanon? Why Now? Why Black Skin, White Masks? 109
  17. chapter 9 Créolité and the Process of Creolization 132
  18. chapter 10 Legacies of Anglo-Caribbean Culture: A Diasporic Perspective 148
  19. PART IV ASSEMBLING THE 1980S
  20. chapter 11 Minimal Selves 171
  21. chapter 12 Assembling the 1980s: The Deluge—and After 180
  22. PART V PHOTOGRAPHY, REPRESENTATION, AND BLACK IDENTITY
  23. chapter 13 The Vertigo of Displacement: Shifts within Black Documentary Practices 201
  24. chapter 14 Preface to Different 213
  25. chapter 15 “Speak Easy”: Black in the 1970s 223
  26. PART VI RECONSTRUCTION WORK
  27. chapter 16 Reconstruction Work: Images of Post-war Black Settlement 239
  28. chapter 17 The “West Indian” Front Room 250
  29. chapter 18 Constituting an Archive 260
  30. chapter 19 Whose Heritage? Unsettling “The Heritage,” Reimagining the Post-Nation 268
  31. chapter 20 Modernity and Its Others: Three “Moments” in the Post-war History of the Black Diaspora Arts 283
  32. PART VII MUSEUMS, MODERNITY, AND DIFFERENCE
  33. chapter 21 Museums of Modern Art and the End of History 307
  34. chapter 22 Modernity and Difference: A Conversation between Stuart Hall and Sarat Maharaj 322
  35. PART VIII DREAMING IN AFRO
  36. chapter 23 Chris Ofili in Paradise: Dreaming in Afro 339
  37. chapter 24 Maps of Emergency: Fault Lines and Tectonic Plates 349
  38. Index 367
  39. Place of First Publication 379
Heruntergeladen am 23.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9781478059332-022/html
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