Chapters in this book

1. Frontmatter i
2. Contents vii
3. Acknowledgments xi
4. Introduction 1
5. Prologue 19
6. PART I THINKING-WITH/ IN THE IMAGE
7. chapter 1 Isaac Julien’s Workshop 29
8. chapter 2 Democracy, Globalization, and Difference 39
9. chapter 3 The Way We Live Now 55
10. PART II THE NEW POLITICS OF REPRESENTATION Black Film/British Cinema
11. chapter 4 New Ethnicities 63
12. chapter 5 Threatening Pleasures: A Conversation between Homi Bhabha, Paul Gilroy, and Stuart Hall 77
13. chapter 6 A Rage in Harlesden 86
14. chapter 7 Cultural Identity and Cinematic Representation 93
15. PART III FANON, CREOLIZATION, AND DIASPORA
16. chapter 8 The After-Life of Frantz Fanon: Why Fanon? Why Now? Why Black Skin, White Masks? 109
17. chapter 9 Créolité and the Process of Creolization 132
18. chapter 10 Legacies of Anglo-Caribbean Culture: A Diasporic Perspective 148
19. PART IV ASSEMBLING THE 1980S
20. chapter 11 Minimal Selves 171
21. chapter 12 Assembling the 1980s: The Deluge—and After 180
22. PART V PHOTOGRAPHY, REPRESENTATION, AND BLACK IDENTITY
23. chapter 13 The Vertigo of Displacement: Shifts within Black Documentary Practices 201
24. chapter 14 Preface to Different 213
25. chapter 15 “Speak Easy”: Black in the 1970s 223
26. PART VI RECONSTRUCTION WORK
27. chapter 16 Reconstruction Work: Images of Post-war Black Settlement 239
28. chapter 17 The “West Indian” Front Room 250
29. chapter 18 Constituting an Archive 260
30. chapter 19 Whose Heritage? Unsettling “The Heritage,” Reimagining the Post-Nation 268
31. chapter 20 Modernity and Its Others: Three “Moments” in the Post-war History of the Black Diaspora Arts 283
32. PART VII MUSEUMS, MODERNITY, AND DIFFERENCE
33. chapter 21 Museums of Modern Art and the End of History 307
34. chapter 22 Modernity and Difference: A Conversation between Stuart Hall and Sarat Maharaj 322
35. PART VIII DREAMING IN AFRO
36. chapter 23 Chris Ofili in Paradise: Dreaming in Afro 339
37. chapter 24 Maps of Emergency: Fault Lines and Tectonic Plates 349
38. Index 367
39. Place of First Publication 379