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4 Spaces of Critique, Spaces of Desire
Gender-Crossing in Pakistani Cinema
-
Gwendolyn S. Kirk
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments xi
- Introduction *stan 1
-
Mehfil 1
- 1 Of Girls, Desire, and Sacred Things 23
- 2 Loving Men, Loving God 31
- 3 Fixed Possibilities 49
- 4 Spaces of Critique, Spaces of Desire 65
- 5 Partitioned Listening 83
- 6 Miraji’s Poetics for Queering History 100
- 7 This Is Home after All 118
- After Heather Love, and Others 121
-
Mehfil 2
- 8 Temporal Nonconformity 125
- 9 On the Other Side of the Rainbow? 146
- 10 A Queer History of Pakistani Art 166
- 11 Beyond Hooking Up 184
- 12 How I Like It 203
- 13 Queer Desi Formations 216
- 14 Queer in a Time of Kashmir 236
- Afterword 251
- Contributors 257
- Index 263
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments xi
- Introduction *stan 1
-
Mehfil 1
- 1 Of Girls, Desire, and Sacred Things 23
- 2 Loving Men, Loving God 31
- 3 Fixed Possibilities 49
- 4 Spaces of Critique, Spaces of Desire 65
- 5 Partitioned Listening 83
- 6 Miraji’s Poetics for Queering History 100
- 7 This Is Home after All 118
- After Heather Love, and Others 121
-
Mehfil 2
- 8 Temporal Nonconformity 125
- 9 On the Other Side of the Rainbow? 146
- 10 A Queer History of Pakistani Art 166
- 11 Beyond Hooking Up 184
- 12 How I Like It 203
- 13 Queer Desi Formations 216
- 14 Queer in a Time of Kashmir 236
- Afterword 251
- Contributors 257
- Index 263