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3. Dividuated Cinema: Temporality and Body in the Overwired Age
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Kyung Hyun Kim
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface: Writing Pop Culture in the Time of Pandemic ix
- Introduction: Of Mimicry and Miguk 1
- 1. Short History of K-Pop, K-Cinema, and K-Television 35
- 2. The Souls of Korean Folk in the Era of Hip-Hop 85
- 3. Dividuated Cinema: Temporality and Body in the Overwired Age 118
- 4. Running Man: The Korean Television Variety Program and Affect Confucianism 140
- 5. The Virtual Feast: Mukbang, Con-Man Comedy, and the Post-Traumatic Family in Extreme Job (2019) and Parasite (2019) 164
- 6. Korean Meme-icry: Samsung and K-Pop 195
- 7. Reading Muhan Dojeon through the Madanggǔk 220
- Notes 237
- Bibliography 273
- Index 289
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface: Writing Pop Culture in the Time of Pandemic ix
- Introduction: Of Mimicry and Miguk 1
- 1. Short History of K-Pop, K-Cinema, and K-Television 35
- 2. The Souls of Korean Folk in the Era of Hip-Hop 85
- 3. Dividuated Cinema: Temporality and Body in the Overwired Age 118
- 4. Running Man: The Korean Television Variety Program and Affect Confucianism 140
- 5. The Virtual Feast: Mukbang, Con-Man Comedy, and the Post-Traumatic Family in Extreme Job (2019) and Parasite (2019) 164
- 6. Korean Meme-icry: Samsung and K-Pop 195
- 7. Reading Muhan Dojeon through the Madanggǔk 220
- Notes 237
- Bibliography 273
- Index 289
