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The World Computer
Derivative Conditions of Racial Capitalism
Sprache:
Englisch
Veröffentlicht/Copyright:
2021
Über dieses Buch
Jonathan Beller traces the history of the commodification of information and the financialization of everyday life, showing how contemporary capitalism is based in algorithms and the quantification of value that intensify social inequality.
Information zu Autoren / Herausgebern
Jonathan Beller is Professor in the Department of Humanities and Media Studies at the Pratt Institute and author of The Message is Murder: Substrates of Computational Capital and The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle.
Rezensionen
“Tackling one of the most important issues in media and technology theory today—the intimate and ancient involvement between information and power—Jonathan Beller has written a bold book with intellectual originality, sociopolitical relevance, and evocative power.”
-- Alexander R. Galloway, author of Laruelle: Against the Digital
“In The World Computer, Jonathan Beller charts the lineage and lineaments of ‘computational racial capital.’ In the code-based mode of capitalist production now consolidating itself with hegemonic reach, the image replaces the commodity as the fundamental value form, and as it does the meaning of labor mutates. Racism, Beller argues, is not just an incidental effect of ambient bias contaminating this new machinery of extraction. It is written into its DNA. The World Computer is a passionate analysis of how the phase-shift of contemporary capitalism we are currently experiencing carries forward from its colonial past a coefficient of exploitation that intensifies apace with capital's exponentially increasing powers of abstraction. Beller's provocative genealogy of contemporary capitalism is an essential contribution to understanding the evolving economy as a formation of power, in symbiosis with systemic racism.”
-- Brian Massumi, author of 99 Theses on the Revaluation of Value: A Postcapitalist Manifesto
“The World Computer has been published at an opportune moment, a moment that calls for further theoretical explanation of the social horrors that ‘computational racial capital’ mediates and produces. Its greatest strength lies in its provocative and synthetic reading of research across fields.”
-- Cengiz Salman The Communication Review
“A must read for those across multiple fields, including digital culture and sociology, software and media studies, as well as science and technology studies. . . . TheWorld Computer demonstrate[s] that digital technologies, algorithms, and AI cannot be deracialized without an undoing — and overcoming — of the social relations that they are part of.”
-- Josh Bowsher Cultural Politics
"A must read. . . wide ranging and historically far reaching. . . ."
-- David H. Fleming Film-Philosophy
Fachgebiete
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Frontmatter
i -
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CONTENTS
ix -
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Acknowledgments
xi - I Computational Racial Capitalism
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Introduction: The Social Difference Engine and the World Computer
1 -
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1 The Computational Unconscious: Technology as a Racial Formation
63 - II The Computational Mode of Production
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2 M–I– C– I′– M′: The Programmable Image of Photo-Capital
101 -
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3 M–I– M′: Informatic Labor and Data- Visual Interruptions in Capital’s “Concise Style”
139 - III Derivative Conditions
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4 Advertisarial Relations and Aesthetics of Survival
175 -
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5 An Engine and a Camera
206 -
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6 Derivative Living and Subaltern Futures: Film as Derivative, Cryptocurrency as Film
222 -
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Appendix 1: The Derivative Machine: Life Cut, Bundled, and Sold— Notes on the Cinema
255 -
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Appendix 2: The Derivative Image: Interview by Susana Nascimento Duarte
267 -
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Notes
285 -
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References
301 -
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Index
315
Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
22. Januar 2021
eBook ISBN:
9781478012702
Seiten und Bilder/Illustrationen im Buch
Inhalt:
352
Dieses Buch ist Teil der Reihe
eBook ISBN:
9781478012702
Zielgruppe(n) für dieses Buch
Professional and scholarly;