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Chapters in this book
- Frontmatter i
- CONTENTS ix
- Acknowledgments xi
-
I Computational Racial Capitalism
- Introduction: The Social Difference Engine and the World Computer 1
- 1 The Computational Unconscious: Technology as a Racial Formation 63
-
II The Computational Mode of Production
- 2 M–I– C– I′– M′: The Programmable Image of Photo-Capital 101
- 3 M–I– M′: Informatic Labor and Data- Visual Interruptions in Capital’s “Concise Style” 139
-
III Derivative Conditions
- 4 Advertisarial Relations and Aesthetics of Survival 175
- 5 An Engine and a Camera 206
- 6 Derivative Living and Subaltern Futures: Film as Derivative, Cryptocurrency as Film 222
- Appendix 1: The Derivative Machine: Life Cut, Bundled, and Sold— Notes on the Cinema 255
- Appendix 2: The Derivative Image: Interview by Susana Nascimento Duarte 267
- Notes 285
- References 301
- Index 315
Chapters in this book
- Frontmatter i
- CONTENTS ix
- Acknowledgments xi
-
I Computational Racial Capitalism
- Introduction: The Social Difference Engine and the World Computer 1
- 1 The Computational Unconscious: Technology as a Racial Formation 63
-
II The Computational Mode of Production
- 2 M–I– C– I′– M′: The Programmable Image of Photo-Capital 101
- 3 M–I– M′: Informatic Labor and Data- Visual Interruptions in Capital’s “Concise Style” 139
-
III Derivative Conditions
- 4 Advertisarial Relations and Aesthetics of Survival 175
- 5 An Engine and a Camera 206
- 6 Derivative Living and Subaltern Futures: Film as Derivative, Cryptocurrency as Film 222
- Appendix 1: The Derivative Machine: Life Cut, Bundled, and Sold— Notes on the Cinema 255
- Appendix 2: The Derivative Image: Interview by Susana Nascimento Duarte 267
- Notes 285
- References 301
- Index 315