REFERENCES

Chapters in this book

1. Frontmatter i
2. CONTENTS vi
3. ACKNOWLEDGMENTS ix
4. INTRODUCTION 1
5. INTERLUDE ONE 29
6. ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI 37
7. TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn 63
8. THREE. “FINE AS HELL”: The Aesthetic Erotics of Masculinity 99
9. INTERLUDE TWO 133
10. FOUR. ROCOCO PINK: The Power of Nicki Minaj’s Aesthetics of Fakery 145
11. INTERLUDE THREE 187
12. FIVE. ENCOUNTERS WITH EXCESS: Girls Creating Art, Theory, and Sexual Bodies 201
13. INTERLUDE FOUR 233
14. EPILOGUE 251
15. NOTES 271
16. REFERENCES 279
17. INDEX 293