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INTERLUDE THREE
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Jillian Hernandez
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Chapters in this book
- Frontmatter i
- CONTENTS vi
- ACKNOWLEDGMENTS ix
- INTRODUCTION 1
- INTERLUDE ONE 29
- ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI 37
- TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn 63
- THREE. “FINE AS HELL”: The Aesthetic Erotics of Masculinity 99
- INTERLUDE TWO 133
- FOUR. ROCOCO PINK: The Power of Nicki Minaj’s Aesthetics of Fakery 145
- INTERLUDE THREE 187
- FIVE. ENCOUNTERS WITH EXCESS: Girls Creating Art, Theory, and Sexual Bodies 201
- INTERLUDE FOUR 233
- EPILOGUE 251
- NOTES 271
- REFERENCES 279
- INDEX 293
Chapters in this book
- Frontmatter i
- CONTENTS vi
- ACKNOWLEDGMENTS ix
- INTRODUCTION 1
- INTERLUDE ONE 29
- ONE. READING BLACK AND LATINA EMBODIMENT IN MIAMI 37
- TWO. SEXUAL-AESTHETIC EXCESS: Or, How Chonga Girls Make Class Burn 63
- THREE. “FINE AS HELL”: The Aesthetic Erotics of Masculinity 99
- INTERLUDE TWO 133
- FOUR. ROCOCO PINK: The Power of Nicki Minaj’s Aesthetics of Fakery 145
- INTERLUDE THREE 187
- FIVE. ENCOUNTERS WITH EXCESS: Girls Creating Art, Theory, and Sexual Bodies 201
- INTERLUDE FOUR 233
- EPILOGUE 251
- NOTES 271
- REFERENCES 279
- INDEX 293