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7 Boris Karloff and the Soundtrack of The Body Snatcher
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Michael Lee
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Chapters in this book
- Frontmatter i
- CONTENTS v
- List of Figures vi
- Acknowledgments vii
- Introduction 1
- 1 “Happy Mood Over This, Roy”: Webb’s Score for Cat People as Film Analysis 20
- 2 Fractured Reasons and Fractured Reason in I Walked with a Zombie 39
- 3 The Leopard Man as Penitential Horror Film 58
- 4 Searching for Meaning in The Seventh Victim 71
- 5 A Wartime Fable in the Sounds of The Ghost Ship 86
- 6 Music for Amy and Her Friend: Webb’s Score for The Curse of the Cat People 105
- 7 Boris Karloff and the Soundtrack of The Body Snatcher 119
- 8 Validating Uncertainty on the Isle of the Dead 143
- 9 “Dainty Little Notes, Ain’t They?”: Roy Webb’s Age of Reason in Bedlam 169
- 10 A Closing Argument 191
- References 200
- List of Films Cited 205
- Index 208
Chapters in this book
- Frontmatter i
- CONTENTS v
- List of Figures vi
- Acknowledgments vii
- Introduction 1
- 1 “Happy Mood Over This, Roy”: Webb’s Score for Cat People as Film Analysis 20
- 2 Fractured Reasons and Fractured Reason in I Walked with a Zombie 39
- 3 The Leopard Man as Penitential Horror Film 58
- 4 Searching for Meaning in The Seventh Victim 71
- 5 A Wartime Fable in the Sounds of The Ghost Ship 86
- 6 Music for Amy and Her Friend: Webb’s Score for The Curse of the Cat People 105
- 7 Boris Karloff and the Soundtrack of The Body Snatcher 119
- 8 Validating Uncertainty on the Isle of the Dead 143
- 9 “Dainty Little Notes, Ain’t They?”: Roy Webb’s Age of Reason in Bedlam 169
- 10 A Closing Argument 191
- References 200
- List of Films Cited 205
- Index 208