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Chapter 7. Blackboard Jungle (1955): A Cinematic Education
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Steven Rybin
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Chapters in this book
- Frontmatter i
- Contents v
- Figures vii
- Notes on Contributors ix
- Acknowledgments xii
- Chapter 1. Introduction 1
- Chapter 2. The Brick Foxhole (1945): Richard Brooks’s American Vision 14
- Chapter 3. The Muted Voices of Conscience and Responsibility in Crisis (1950) 31
- Chapter 4. Deadline—U.S.A. (1952): A Fox Film of Fact 44
- Chapter 5. “Man Against the Times”: Conformity, Anti-Statism, and the “Unknown” Korean War in Battle Circus (1953) 63
- Chapter 6. Captured Interiors: Female Performances in The Last Time I Saw Paris (1954) and The Happy Ending (1969) 75
- Chapter 7. Blackboard Jungle (1955): A Cinematic Education 90
- Chapter 8. Hunting and the Economics of Adaptation: The Last Hunt (1956) and The Professionals (1966) 107
- Chapter 9. The Curse of Money: Negotiating Marriage in The Catered Affair (1956) 123
- Chapter 10. Adapting Modernism: Richard Brooks and The Brothers Karamazov (1958) 138
- Chapter 11. Haunted: Cat on a Hot Tin Roof (1958) 152
- Chapter 12. A Bite of Salvation 166
- Chapter 13. “Monstrous Cinemascope”: Richard Brooks Adapts Sweet Bird of Youth (1962) 183
- Chapter 14. Adapting the Unadaptables: Lord Jim (1965) 200
- Chapter 15. Adaptation as Mutation: In Cold Blood (1967) 215
- Chapter 16. Looking for Mr. Good Guy: Anatomizing ’70s Fracture and Fragmentation 231
- Chapter 17. Failing to Locate Wrong is Right (1982) and What that Reveals about Cinematic Reality 246
- Bibliography 261
- Index 272
Chapters in this book
- Frontmatter i
- Contents v
- Figures vii
- Notes on Contributors ix
- Acknowledgments xii
- Chapter 1. Introduction 1
- Chapter 2. The Brick Foxhole (1945): Richard Brooks’s American Vision 14
- Chapter 3. The Muted Voices of Conscience and Responsibility in Crisis (1950) 31
- Chapter 4. Deadline—U.S.A. (1952): A Fox Film of Fact 44
- Chapter 5. “Man Against the Times”: Conformity, Anti-Statism, and the “Unknown” Korean War in Battle Circus (1953) 63
- Chapter 6. Captured Interiors: Female Performances in The Last Time I Saw Paris (1954) and The Happy Ending (1969) 75
- Chapter 7. Blackboard Jungle (1955): A Cinematic Education 90
- Chapter 8. Hunting and the Economics of Adaptation: The Last Hunt (1956) and The Professionals (1966) 107
- Chapter 9. The Curse of Money: Negotiating Marriage in The Catered Affair (1956) 123
- Chapter 10. Adapting Modernism: Richard Brooks and The Brothers Karamazov (1958) 138
- Chapter 11. Haunted: Cat on a Hot Tin Roof (1958) 152
- Chapter 12. A Bite of Salvation 166
- Chapter 13. “Monstrous Cinemascope”: Richard Brooks Adapts Sweet Bird of Youth (1962) 183
- Chapter 14. Adapting the Unadaptables: Lord Jim (1965) 200
- Chapter 15. Adaptation as Mutation: In Cold Blood (1967) 215
- Chapter 16. Looking for Mr. Good Guy: Anatomizing ’70s Fracture and Fragmentation 231
- Chapter 17. Failing to Locate Wrong is Right (1982) and What that Reveals about Cinematic Reality 246
- Bibliography 261
- Index 272