Series Editor’s Preface

Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. List of Figures x
4. Series Editor’s Preface xv
5. Author’s Preface xviii
6. Acknowledgements xxii
7. Prologue: Iconomania – On the Thinking-Image and Madness xxv
8. 1. Introduction: Making as Thinking, and vice versa 1
9. Part I: Keys to Intermediality
10. 2. Time-Space: Spatialising Film 43
11. 3. Who Speaks the Film, in Documentaries? A Thousand and One Voices 90
12. 4. Multi-tentacled Time: Contemporaneity, Heterochrony, Anachronism for Pre-posterous History 131
13. 5. Making Up, Making As: Fiction and/in/with Reality 175
14. Part II: Special Issues, Special Pleading
15. 6. Showing Trauma? Difficulty and Necessity 223
16. 7. Agency, Facing 252
17. 8. Cultural Citizenship vs Identity 286
18. 9. Affect as an Artistic-Political Strategy 321
19. 10. By Way of Conclusion – For Memory: Dis-remembered, Mis-remembered 367
20. Author’s Filmography 403
21. References 408
22. Selective Index of Names and Titles 435
23. Selective Index of Terms and Concepts 441