Presented to you through Paradigm Publishing Services
Edinburgh University Press
Chapter
Publicly Available
Contents
Chapters in this book
- Frontmatter i
- Contents v
- Preface vi
- Permissions x
- Introduction: Counterpoetics and Colonial Modernity 1
-
Part I: Specters of Modernity
- 1. Overture. The Burden of Discontinuity: Criticism, Colonialism, and Anti-Modernism 21
- 2. Crossing Over: On James Clarence Mangan’s “Spirits Everywhere” 49
- 3. 1913–1916–1919: Yeats’s Dates 65
- 4. “To Live Surrounded by a White Song,” or, The Sublimation of Race in Experiment: On the Margins of Susan Howe 90
-
Part II: New Things That Have Happened
- 5. New Things That Have Happened: Forms of Irish Poetry 113
- 6. Intricate Walking: Scully’s Livelihood 134
- 7. Rome’s Wreck: Joyce’s Baroque 162
- Conclusion. Conduits for the Humane: Walsh’s Optic Verve 186
- Appendix to Chapter 2: Crossing Over 200
- Bibliography 202
- Index 213
Chapters in this book
- Frontmatter i
- Contents v
- Preface vi
- Permissions x
- Introduction: Counterpoetics and Colonial Modernity 1
-
Part I: Specters of Modernity
- 1. Overture. The Burden of Discontinuity: Criticism, Colonialism, and Anti-Modernism 21
- 2. Crossing Over: On James Clarence Mangan’s “Spirits Everywhere” 49
- 3. 1913–1916–1919: Yeats’s Dates 65
- 4. “To Live Surrounded by a White Song,” or, The Sublimation of Race in Experiment: On the Margins of Susan Howe 90
-
Part II: New Things That Have Happened
- 5. New Things That Have Happened: Forms of Irish Poetry 113
- 6. Intricate Walking: Scully’s Livelihood 134
- 7. Rome’s Wreck: Joyce’s Baroque 162
- Conclusion. Conduits for the Humane: Walsh’s Optic Verve 186
- Appendix to Chapter 2: Crossing Over 200
- Bibliography 202
- Index 213