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3. Struktur, History and Determinism
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Chapters in this book
- Frontmatter i
- Contents v
- Figures ix
- Series Editor’s Preface xii
- Preface xv
- Acknowledgments xxvi
- Glossary of Terms xxix
- Introduction: ‘In the Beginning was the Eye, not the Word’ 1
-
Part I Theory and Methodology
- 1. The Crisis of the Sciences, Art History and the Vienna School 27
- 2. The Basics of Strukturforschung 47
- 3. Struktur, History and Determinism 76
-
Part II Case Studies
- 4. Hans Sedlmayr’s Borromini 107
- 5. Otto Pächt and ‘National’ Constants in Late Gothic Painting 135
- 6. Johannes Wilde on Michelangelo: The Image in Space 167
- 7. Otto Demus, Byzantine Art and the Spatial Icon 186
- Conclusion: The Vienna School Today 206
- Notes 213
- References 281
- Index 323
Chapters in this book
- Frontmatter i
- Contents v
- Figures ix
- Series Editor’s Preface xii
- Preface xv
- Acknowledgments xxvi
- Glossary of Terms xxix
- Introduction: ‘In the Beginning was the Eye, not the Word’ 1
-
Part I Theory and Methodology
- 1. The Crisis of the Sciences, Art History and the Vienna School 27
- 2. The Basics of Strukturforschung 47
- 3. Struktur, History and Determinism 76
-
Part II Case Studies
- 4. Hans Sedlmayr’s Borromini 107
- 5. Otto Pächt and ‘National’ Constants in Late Gothic Painting 135
- 6. Johannes Wilde on Michelangelo: The Image in Space 167
- 7. Otto Demus, Byzantine Art and the Spatial Icon 186
- Conclusion: The Vienna School Today 206
- Notes 213
- References 281
- Index 323