Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vi
4. Permissions ix
5. Introduction 1
6. Chapter 1 Images of Objectification: Othello as Prop in Kill Shakespeare 29
7. Chapter 2 Colorblindness on the Post-Racial Stage: Hip hop, Comedy, and Cultural Appropriation in Othello: The Remix 77
8. Chapter 3 Othello, Race, and Serial: The Ethics of a Shakespearean Cameo 117
9. Chapter 4 “No tools with which to hear”: Adaptive Re-Vision, Audience Education, and American Moor 156
10. Chapter 5 At the Intersection of Gender, Race, and White Privilege: A Case of Three Desdemona Plays 206
11. Chapter 6 Resisting Lobotomized Shakespeare: Whiteness and Universality in Key & Peele and Get Out 253
12. Epilogue 299
13. Bibliography 320
14. Index 344