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© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Illustrations vi
  4. Acknowledgments viii
  5. Introduction: Framed, Imprisoned, Overheard 1
  6. 1. Gothic Overhearing: Inquisition, Confession, and Accusation in Browning’s Dramatic Monologues 33
  7. 2. The Gothic Poetess: Self-Confinement in the Sonnet Cell 90
  8. 3. Gothic Shock and Swap: Suspended Bodies and Fluctuating Frames in D. G. Rossetti’s Double Works 144
  9. 4. The Cloistered Cleric: Confessional, Confinement, and Hopkins’s Poetics of Wavering 210
  10. Conclusion. Emily Brontë’s Udolphics: The Gondal and Non-Gondal Poems 258
  11. Bibliography 281
  12. Index 299
The Gothic Forms of Victorian Poetry
This chapter is in the book The Gothic Forms of Victorian Poetry
https://doi.org/10.1515/9781474487191-009

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Illustrations vi
  4. Acknowledgments viii
  5. Introduction: Framed, Imprisoned, Overheard 1
  6. 1. Gothic Overhearing: Inquisition, Confession, and Accusation in Browning’s Dramatic Monologues 33
  7. 2. The Gothic Poetess: Self-Confinement in the Sonnet Cell 90
  8. 3. Gothic Shock and Swap: Suspended Bodies and Fluctuating Frames in D. G. Rossetti’s Double Works 144
  9. 4. The Cloistered Cleric: Confessional, Confinement, and Hopkins’s Poetics of Wavering 210
  10. Conclusion. Emily Brontë’s Udolphics: The Gondal and Non-Gondal Poems 258
  11. Bibliography 281
  12. Index 299
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