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Introduction: Remapping Adaptation: Race, Nation and Fidelity
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Gillian Roberts
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Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vi
- Acknowledgements vii
- Introduction: Remapping Adaptation: Race, Nation and Fidelity 1
- 1. The Empire Gazes Back? The Portrait of a Lady and Vanity Fair 19
- 2. Salvaging Slavery Subtexts in Mansfield Park and Wuthering Heights 49
- 3. Relocating Racism in Bride and Prejudice and Jindabyne 78
- 4. Visibility and Veracity: Magic Realism in Midnight’s Children and Life of Pi 106
- 5. Cultural Appropriation: The Chant of Jimmie Blacksmith, Black Robe and Dance Me Outside 131
- 6. Told-to Adaptations: Rabbit-Proof Fence, Whale Rider and The Lesser Blessed 163
- 7. Indigenous Representational Sovereignty: Once Were Warriors and Atanarjuat: The Fast Runner 193
- Conclusion 220
- Notes 224
- Bibliography 237
- Index 263
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vi
- Acknowledgements vii
- Introduction: Remapping Adaptation: Race, Nation and Fidelity 1
- 1. The Empire Gazes Back? The Portrait of a Lady and Vanity Fair 19
- 2. Salvaging Slavery Subtexts in Mansfield Park and Wuthering Heights 49
- 3. Relocating Racism in Bride and Prejudice and Jindabyne 78
- 4. Visibility and Veracity: Magic Realism in Midnight’s Children and Life of Pi 106
- 5. Cultural Appropriation: The Chant of Jimmie Blacksmith, Black Robe and Dance Me Outside 131
- 6. Told-to Adaptations: Rabbit-Proof Fence, Whale Rider and The Lesser Blessed 163
- 7. Indigenous Representational Sovereignty: Once Were Warriors and Atanarjuat: The Fast Runner 193
- Conclusion 220
- Notes 224
- Bibliography 237
- Index 263
