Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. FIGURES viii
4. CONTRIBUTORS x
5. TRADITIONS IN WORLD CINEMA xviii
6. INTRODUCTION: IMAGES OF SOUND AND FURY 1
7. PART I HISTORIES
8. 1. MUSIC MAKERS OF THE BLUE RIDGE (AKA ‘BLUEGRASS ROOTS,’ DAVID HOFFMAN, USA, 1966) 19
9. 2. “I DON’T MAKE CULTURE, I SELL IT!”: THE EARLY HISTORY OF MUSIC DOCUMENTATION, 1920S–1970S 24
10. 3. MONTEREY POP AND THE MATURATION OF THE CONCERT FILM 37
11. 4. THE SOUND OF ROCKUMENTARY: A CONSIDERATION OF THE DOCUMENTARY SOUNDTRACK 50
12. 5. FALSE ENDINGS 64
13. PART II GENDER
14. 6. “START ME UP”: THE PLACE AND DISPLACEMENT OF WOMEN IN THE CINEMA OF THE ROLLING STONES 83
15. 7. MADONNA ON FILM: GEOPOLITICS, GLOBALIZATION, AND GENDER POLITICS 97
16. 8. THE FREEDOM TO SPEAK: THE DIXIE CHICKS, OBSERVATIONAL DOCUMENTARY, AND SHUT UP & SING 113
17. 9. ROCK ‘N’ ROLL FAMILY ROMANCES: THE ROCKUMENTARY AS MALE MELODRAMA 125
18. 10. PERFORMING DYLAN: THE MANY LIVES OF BOB DYLAN IN I’M NOT THERE 140
19. PART III AESTHETICS AND POLITICS
20. 11. U2’S RATTLE AND HUM: GOD, SEX, ROCK ‘N’ ROLL AND GOD AGAIN 155
21. 12. PUNK CITY SYMPHONY: THE CLASH AND RUDE BOY 173
22. 13. LISTENING FROM THE EMPTY BOOTH: PERFORMING THE GRATEFUL DEAD COMMUNITY IN LONG STRANGE TRIP 185
23. 14. MINIMUM AND MAXIMUM ROCK ‘N’ ROLL: NICK CAVE AND THE BAD SEEDS AND ROCKUMENTARY FORM 198
24. 15. “EVERYTHING WAS STORIES”: THE AESTHETIC IMAGINARIES OF SEARCHING FOR THE WRONG-EYED JESUS 212
25. PART IV COUNTER-CULTURES
26. 16. CHILE: THE ROCK OF POLITICAL CULTURE AND THE HARD PLACE OF CULTURAL POLICY 223
27. 17. PSYCHEDELIA AND REBELLIOUSNESS IN TIMES OF DICTATORSHIP: ARGENTINIAN ROCKUMENTARIES (1973–1983) 239
28. 18. HARMONIUM IN CALIFORNIA: MUSICALLY IMAGINED COMMUNITIES AND THE ROCKUMENTARY FORM 250
29. 19. STATIONS OF THE CRASS: COUNTER-CULTURE AND THE ANARCHO-PUNK MOVEMENT 263
30. 20. CARS AND GUITARS, OR, DETROIT AND THE MC5: ON REPRESENTATIONS OF MUSIC AND PLACE IN MC5: A TRUE TESTIMONIAL 276
31. PART V FUTURES
32. 21. UNKNOWABLE DOGS 289
33. 22. “THIS IS A F**KING BUSINESS”: THE CONCERT SHOW AND TOUR IN 1970S HOLLYWOOD FICTION FILMS 303
34. 23. LIVE FROM THE MULTIPLEX: THE CONCERT FILM AS EVENT CINEMA SINCE THE 2000S 314
35. 24. DOCUMENTING DEITIES: TOUCH AND K-POP FANDOM ON YOUTUBE 330
36. 25. RITUAL IN TRANSFIGURED TIME 344
37. INDEX 349