4. DIVERSE VOICES

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. FIGURES AND TABLES vii
4. ACKNOWLEDGEMENTS ix
5. INTRODUCTION: MOROCCAN CINEMA: A STORY OF TRANSNATIONAL ADAPTATION 1
6. PART ONE. PRODUCTION FROM ABOVE: FORMAL NETWORKS
7. 1. ESTABLISHED SITES OF PRODUCTION AT HOME 13
8. 2. TRANSNATIONAL CROSSINGS 41
9. PART TWO. PRODUCTION FROM BELOW: EMERGING SITES
10. 3. ALTERNATIVE AND EMERGING NETWORKS 91
11. 4. DIVERSE VOICES 123
12. PART THREE. DISTRIBUTION AND EXHIBITION NETWORKS: FESTIVALS, AUDIENCES AND MARKETS
13. 5. DISTRIBUTION AND EXHIBITION NETWORKS IN MOROCCO 159
14. 6. INTERNATIONAL FESTIVALS: AN ALTERNATIVE TRANSNATIONAL DISTRIBUTION NETWORK FOR MOROCCAN CINEMA? 191
15. 7. SALES, DISTRIBUTION AND DIGITAL DISRUPTION: THE UNREALISED TRANSNATIONAL REACH OF MOROCCAN CINEMA? 215
16. CONCLUSION: TRANSNATIONAL MOROCCAN CINEMA: OF BUMBLEBEES AND BUTTERFLIES 239
17. BIBLIOGRAPHY 247
18. SELECT FILMOGRAPHY 261
19. INDEX 271