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Acknowledgements
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Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Notes on Contributors x
- Acknowledgements xii
- Introduction 1
- 1 Filmmaker and the Milanese Independent Cinema of the 1980s and 1990s 41
- 2 Light and Liminal: Marinella Pirelli’s Cinema 68
- 3 From Vertov to Cine-Journals: Cesare Zavattini’s Experimental Journey 84
- 4 Gianfranco Brebbia: The ‘Absurd’, Expanded Quality of Experimental Cinema (1962–73) 103
- 5 Italian Family Films: The Case of the Archivio Nazionale di Bologna 131
- 6 Independence as Opposition? Redefining Political Cinema Through the Case of Mirko Locatelli 141
- 7 Travelling the World: The Essay Films of Massimo Bacigalupo (1968–77) 158
- 8 Tales of Courage: Trade Stories of Italian Independent Cinema 180
- 9 Niccolò Bruna’s Ethical Process as Social Engagement: Upholding Human Stories against a Backdrop of Globalisation 202
- 10 The Paradox of ‘Independence’ in Cyberspace: The Case of Italian Experimental and Independent Cinema 216
- Index 264
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Notes on Contributors x
- Acknowledgements xii
- Introduction 1
- 1 Filmmaker and the Milanese Independent Cinema of the 1980s and 1990s 41
- 2 Light and Liminal: Marinella Pirelli’s Cinema 68
- 3 From Vertov to Cine-Journals: Cesare Zavattini’s Experimental Journey 84
- 4 Gianfranco Brebbia: The ‘Absurd’, Expanded Quality of Experimental Cinema (1962–73) 103
- 5 Italian Family Films: The Case of the Archivio Nazionale di Bologna 131
- 6 Independence as Opposition? Redefining Political Cinema Through the Case of Mirko Locatelli 141
- 7 Travelling the World: The Essay Films of Massimo Bacigalupo (1968–77) 158
- 8 Tales of Courage: Trade Stories of Italian Independent Cinema 180
- 9 Niccolò Bruna’s Ethical Process as Social Engagement: Upholding Human Stories against a Backdrop of Globalisation 202
- 10 The Paradox of ‘Independence’ in Cyberspace: The Case of Italian Experimental and Independent Cinema 216
- Index 264