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Chapter
Publicly Available
Series Editors’ Preface
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Series Editors’ Preface ix
- Introduction: The Past and Future of Ancient Epic 1
-
PART I Surge and Splendour: Ancient Epic Conventions on the Silver Screen
- 1 A View with (a) Room: Spatial Projections in Ancient and Screen Epic 15
- 2 Allusions to Homeric Epic in Contemporary Films, 1984–2019 33
- 3 ‘Mighty Saga of the World’s Mightiest Man’: Is There Such a Thing as a Modern Hercules Epic? 49
- 4 Vergilian Echoes of Fate in Snowpiercer (2013): Engine and Empire without End 66
- 5 A Roman Epic in Modern Japan: Screening Rome as Empire Nostalgia in Takeuchi Hideki’s Thermae Romae (2012) 82
- 6 Looking a Gift Horse in the Mouth: Helen of Troy and the Trojan Horse 98
-
PART II From Gold to Platinum: Epic Conventions on the Small Screen
- 7 Revival of Mythic Epics or Epic Failure? On Gods and Heroes in the Television Shows Olympus (2015) and Troy: Fall of a City (2018) 117
- 8 Travels with Odysseus and the Odyssey in Twenty-First-Century Television Documentaries 135
- 9 Many (Un)Happy Returns in HBO’s Game of Thrones (2011–2019) 152
- 10 The Performance of War: Battle as Spectacle in the Iliad and Into the Badlands (2015–2019) 168
- 11 Homeric Intimacy in NBC’s Hannibal (2013–2015) 185
- 12 The Gods in Epic Television: The Homeric Cosmos in Battlestar Galactica (2003–2009) 201
- 13 Towards a Definition of Twenty-First-Century Epic: Audience Responses to Game of Thrones (2011–2019) and His Dark Materials (2019–) as Epic Television 217
- Afterword 233
- Filmography 240
- Bibliography 248
- Notes on Contributors 274
- Index 278
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Series Editors’ Preface ix
- Introduction: The Past and Future of Ancient Epic 1
-
PART I Surge and Splendour: Ancient Epic Conventions on the Silver Screen
- 1 A View with (a) Room: Spatial Projections in Ancient and Screen Epic 15
- 2 Allusions to Homeric Epic in Contemporary Films, 1984–2019 33
- 3 ‘Mighty Saga of the World’s Mightiest Man’: Is There Such a Thing as a Modern Hercules Epic? 49
- 4 Vergilian Echoes of Fate in Snowpiercer (2013): Engine and Empire without End 66
- 5 A Roman Epic in Modern Japan: Screening Rome as Empire Nostalgia in Takeuchi Hideki’s Thermae Romae (2012) 82
- 6 Looking a Gift Horse in the Mouth: Helen of Troy and the Trojan Horse 98
-
PART II From Gold to Platinum: Epic Conventions on the Small Screen
- 7 Revival of Mythic Epics or Epic Failure? On Gods and Heroes in the Television Shows Olympus (2015) and Troy: Fall of a City (2018) 117
- 8 Travels with Odysseus and the Odyssey in Twenty-First-Century Television Documentaries 135
- 9 Many (Un)Happy Returns in HBO’s Game of Thrones (2011–2019) 152
- 10 The Performance of War: Battle as Spectacle in the Iliad and Into the Badlands (2015–2019) 168
- 11 Homeric Intimacy in NBC’s Hannibal (2013–2015) 185
- 12 The Gods in Epic Television: The Homeric Cosmos in Battlestar Galactica (2003–2009) 201
- 13 Towards a Definition of Twenty-First-Century Epic: Audience Responses to Game of Thrones (2011–2019) and His Dark Materials (2019–) as Epic Television 217
- Afterword 233
- Filmography 240
- Bibliography 248
- Notes on Contributors 274
- Index 278