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1 Electricity: Technologies and Aesthetics
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Chapters in this book
- Frontmatter i
- Contents v
- Figures viii
- Acknowledgements xi
- Introduction: Modernist Technology Studies 1
-
Part I Machines
- 1 Electricity: Technologies and Aesthetics 23
- 2 Clocks: Modernist Heterochrony and the Contemporary Big Clock 36
- 3 Print: Anaïs Nin’s Embodied Encounters with Print Technology 51
- 4 Subways: Underground Networks Through Modernist Poetry and Prose 63
- 5 Automobiles: The Modernist Gaze and Speed’s Visual Limit-field 78
- 6 Aeroplanes: Rethinking Aeriality in a Long 1930s 91
- 7 Robots: Gendered Machines and Anxious Technophilia 105
-
Part II Media
- 8 Materials: Glass, Iron and Ghostly Fabric 125
- 9 Advertising: Magazine Ads and the Creation of Femininity in Early Twentieth-century America 138
- 10 Photography: Gertrude Käsebier and the Maternal Line of Sight 155
- 11 X-rays: Technological Revelation and its Cultural Receptions 175
- 12 Cinema: Notes on Germaine Dulac’s ‘Integral Cinema’, Form and Spirit 192
- 13 Radio: Blindness, Disability and Technology 212
- 14 Music: Modernist Remediation and Technologies of Listening 226
- 15 Performance: Machine Dances and the Avant-garde’s Technological Imaginary 243
- 16 Amplification: At Home with Marlene Dietrich Overseas 257
-
Part III Bodies
- 17 Sex: Hypnosis, Hormones, Birth Control and the Modernist Body 273
- 18 Race: Fordism, Factories and the Mechanical Reproduction of Racial Identity 286
- 19 Technics: Education and Pharmakon in Lawrence, Simondon and Stiegler 300
- 20 Germs: The Shocks, Politics and Aesthetics of Microbial Modernism 314
- 21 Noise: Labour, Industry and Embodiment in Interwar Factory Fiction 328
-
Part IV Systems
- 22 Nation: GPO Documentaries and Infrastructures of the Nation-state 345
- 23 Infrastructure: Women Writers Confront Large Technological Systems 362
- 24 Paperwork: Atomic Age Bureaucracy in C. P. Snow’s Strangers and Brothers 376
- 25 Information: Literature and Knowledge in the Age of Bradshaw and Baedeker 390
- 26 Computation: The Work of Calculation Between Human and Mechanism 404
- 27 Networks: Modernism in Circulation, 1920–2020 417
- 28 War: Modernism in Camouflage, Strategic Fantasy and the Technological Sublime 432
- Notes on Contributors 447
- Index 451
Chapters in this book
- Frontmatter i
- Contents v
- Figures viii
- Acknowledgements xi
- Introduction: Modernist Technology Studies 1
-
Part I Machines
- 1 Electricity: Technologies and Aesthetics 23
- 2 Clocks: Modernist Heterochrony and the Contemporary Big Clock 36
- 3 Print: Anaïs Nin’s Embodied Encounters with Print Technology 51
- 4 Subways: Underground Networks Through Modernist Poetry and Prose 63
- 5 Automobiles: The Modernist Gaze and Speed’s Visual Limit-field 78
- 6 Aeroplanes: Rethinking Aeriality in a Long 1930s 91
- 7 Robots: Gendered Machines and Anxious Technophilia 105
-
Part II Media
- 8 Materials: Glass, Iron and Ghostly Fabric 125
- 9 Advertising: Magazine Ads and the Creation of Femininity in Early Twentieth-century America 138
- 10 Photography: Gertrude Käsebier and the Maternal Line of Sight 155
- 11 X-rays: Technological Revelation and its Cultural Receptions 175
- 12 Cinema: Notes on Germaine Dulac’s ‘Integral Cinema’, Form and Spirit 192
- 13 Radio: Blindness, Disability and Technology 212
- 14 Music: Modernist Remediation and Technologies of Listening 226
- 15 Performance: Machine Dances and the Avant-garde’s Technological Imaginary 243
- 16 Amplification: At Home with Marlene Dietrich Overseas 257
-
Part III Bodies
- 17 Sex: Hypnosis, Hormones, Birth Control and the Modernist Body 273
- 18 Race: Fordism, Factories and the Mechanical Reproduction of Racial Identity 286
- 19 Technics: Education and Pharmakon in Lawrence, Simondon and Stiegler 300
- 20 Germs: The Shocks, Politics and Aesthetics of Microbial Modernism 314
- 21 Noise: Labour, Industry and Embodiment in Interwar Factory Fiction 328
-
Part IV Systems
- 22 Nation: GPO Documentaries and Infrastructures of the Nation-state 345
- 23 Infrastructure: Women Writers Confront Large Technological Systems 362
- 24 Paperwork: Atomic Age Bureaucracy in C. P. Snow’s Strangers and Brothers 376
- 25 Information: Literature and Knowledge in the Age of Bradshaw and Baedeker 390
- 26 Computation: The Work of Calculation Between Human and Mechanism 404
- 27 Networks: Modernism in Circulation, 1920–2020 417
- 28 War: Modernism in Camouflage, Strategic Fantasy and the Technological Sublime 432
- Notes on Contributors 447
- Index 451