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Notes on Contributors
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- Introduction: Thinking in/about Bowen 1
- 1 How to Be Yourself – But Not Eccentric: Clothes, Style and Self in Bowen’s Short Fiction 9
- 2 Elizabeth Bowen: Surrealist 28
- 3 Elizabeth Bowen and the Pleasure of the Text 48
- 4 Obnoxiousness and Elizabeth Bowen’s Queer Adolescents 62
- 5 Tender Ties: Elizabeth Bowen and Habit 79
- 6 ‘One is Somehow Suspended’: Elizabeth Bowen, Katherine Mansfi eld and the Spaces in Between 96
- 7 ‘How Much of Nothing There Was’: Trying (Not) to Understand Elizabeth Bowen 113
- 8 Bowen’s Recesses: From Realism to Inter-Objectivity 127
- 9 ‘Some Really Raging Peculiarity’: Female Fetishism The Little Girls 145
- 10 Housekeeping and the Fiction of Subjectivity in Eva Trout 165
- 11 Elizabeth Bowen on the Telephone 182
- Notes on Contributors 199
- Index 202
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- Introduction: Thinking in/about Bowen 1
- 1 How to Be Yourself – But Not Eccentric: Clothes, Style and Self in Bowen’s Short Fiction 9
- 2 Elizabeth Bowen: Surrealist 28
- 3 Elizabeth Bowen and the Pleasure of the Text 48
- 4 Obnoxiousness and Elizabeth Bowen’s Queer Adolescents 62
- 5 Tender Ties: Elizabeth Bowen and Habit 79
- 6 ‘One is Somehow Suspended’: Elizabeth Bowen, Katherine Mansfi eld and the Spaces in Between 96
- 7 ‘How Much of Nothing There Was’: Trying (Not) to Understand Elizabeth Bowen 113
- 8 Bowen’s Recesses: From Realism to Inter-Objectivity 127
- 9 ‘Some Really Raging Peculiarity’: Female Fetishism The Little Girls 145
- 10 Housekeeping and the Fiction of Subjectivity in Eva Trout 165
- 11 Elizabeth Bowen on the Telephone 182
- Notes on Contributors 199
- Index 202