ACKNOWLEDGEMENTS

Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. FIGURES AND TABLES vii
4. ACKNOWLEDGEMENTS x
5. CONTRIBUTORS xii
6. TRADITIONS IN WORLD CINEMA xix
7. FOREWORD: CINEMA OF THE BALKANS – AN ENDLESS JOURNEY xxi
8. INTRODUCTION 1
9. 1. ALBANIA: CROSSING BORDERS WITH A NEW IMAGINARY 18
10. 2. BOSNIA-HERZEGOVINA: CHALLENGING PRECARITY, RETHINKING TRAUMA 34
11. 3. BULGARIA: REFRAMING CONTEMPORARY ARTHOUSE AND MAINSTREAM CINEMA 50
12. 4. CROATIA: FILM UNDER IDEOLOGICAL PRESSURE – THE STATE, ITS CITIZEN AND THE FALTERING FUTURE 69
13. 5. CYPRUS: TRANSNATIONAL CHALLENGES, OPPORTUNITIES AND COMPROMISES 87
14. 6. GREECE: TRANSNATIONAL DYNAMICS IN GREEK CINEMA SINCE THE CRISIS 100
15. 7. KOSOVO: CINEMATIC DEVELOPMENTS BETWEEN CONFLICTS AND SOCIAL TRANSFORMATION 121
16. 8. MONTENEGRO: A SMALL, OPEN AND FORWARD-LOOKING FILM INDUSTRY 139
17. 9. NORTH MACEDONIA: A NATION AND CINEMA IN TRANSITION 154
18. 10. ROMANIA: TRANSNATIONAL AND NATIONAL TENSIONS BEYOND THE NEW WAVE 172
19. 11. SERBIA: RECO(R)DING THE CINEMATIC TURN 190
20. 12. SLOVENIA: A SMALL NATIONAL CINEMA IN THE PHASE OF TRANSNATIONAL SYNERGY 208
21. 13. TURKEY: TRANSNATIONAL DIMENSIONS OF A LARGE NATIONAL FILM INDUSTRY 228
22. TABLES 250
23. GENERAL BIBLIOGRAPHY 290
24. INDEX 295