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Jonathan Pountney
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Introduction: Authenticity, Craftsmanship and Neoliberalism in Raymond Carver’s Fiction 1
- 1. ‘Bad Raymond’: Alcoholism, Education and Masculinity in Chuck Kinder’s Honeymooners 27
- 2. ‘Carveresque Realism’: Raymond Carver and Jay McInerney 60
- 3. ‘The Transpacific Partnership’: Raymond Carver and Haruki Murakami 106
- 4. ‘Why Raymond Carver?’: Neoliberal Authenticity and Culture in Alejandro G. Iñárritu’s Birdman 148
- Conclusion: Willy Vlautin and Diminished Class Consciousness 182
- Works Cited 193
- Index 204
Chapters in this book
- Frontmatter i
- CONTENTS v
- Introduction: Authenticity, Craftsmanship and Neoliberalism in Raymond Carver’s Fiction 1
- 1. ‘Bad Raymond’: Alcoholism, Education and Masculinity in Chuck Kinder’s Honeymooners 27
- 2. ‘Carveresque Realism’: Raymond Carver and Jay McInerney 60
- 3. ‘The Transpacific Partnership’: Raymond Carver and Haruki Murakami 106
- 4. ‘Why Raymond Carver?’: Neoliberal Authenticity and Culture in Alejandro G. Iñárritu’s Birdman 148
- Conclusion: Willy Vlautin and Diminished Class Consciousness 182
- Works Cited 193
- Index 204