Chapters in this book

1. Frontmatter i
2. Contents v
3. LIST OF ILLUSTRATIONS AND TABLES viii
4. Acknowledgements x
5. General Introduction: The Kaleidoscope, the Mirror, and the Magnifying Glass – Reading Through the Lens of Periodical Culture 1
6. Part I Locations
7. Locations: Introduction 15
8. 1 ‘Watch this space’: Late Nineteenth- Century Women’s Periodicals in Ireland 20
9. 2 Opening Doors: Women and Print Media in Scotland 33
10. 3 Marginal Places, Liminal Spaces: Welsh Women’s Modernist Writing and the English ‘Little Magazine’ 48
11. 4 Home and Homeland: English National Identity in the Women’s Magazines of Newnes and Pearson 60
12. Part II The Sister Arts
13. The Sister Arts: Introduction 73
14. 5 ‘A theme with many variations’: Gertrude Hudson, Musical Criticism, and Turn-of-the- Century Periodical Culture 78
15. 6 Women, Drama, and Print Culture 1890–1929 92
16. 7 Dance, Modernism, and the Female Critic in the New Age, Rhythm, and the Outlook 106
17. 8 Mixing the Brows in Print: Iris Barry’s Film Criticism of the 1920s 120
18. 9 The Avant-Garde in the Drawing Room: Women, Writing, and Architectural Modernism in Britain 134
19. 10 The Dialogic Magazine: Advertisements and Femininity in the LADY’S REALM 146
20. Part III Key Literary Figures
21. Key Literary Figures: Introduction 163
22. 11 ‘An Outpour of Ink’: From the ‘Young Rebecca’ to ‘the most important signature of these years,’ Rebecca West 1911–1920 169
23. 12 TIME AND TIDE Waited for Her: Rebecca West’s Journalism in the 1920s 183
24. 13 Writing Revolution: Dorothy Richardson’s Contributions to Early Twentieth-Century Periodicals 195
25. 14 Violet Hunt, Periodical Culture, and Emergent (Female) Modernisms 213
26. 15 Dora Marsden and Anarchist Modernisms 226
27. 16 Beatrice Hastings: Debating Suffrage in the NEW AGE and VOTES FOR WOMEN 242
28. 17 ‘A kind of MINUTE NOTE-BOOK, to be published some day’: Katherine Mansfield in the ADELPHI, 1923–1924 258
29. 18 May Sinclair, Magazine Writer: Exploring Modernisms through Diverse Journals 274
30. Part IV Networks, Circles, and Margins
31. Networks, Circles, and Margins: Introduction 289
32. 19 On Poets and Publishing Networks: Charting the Careers of Charlotte Mew and Anna Wickham 294
33. 20 Women’s Poetry in the Modern British Magazines: A Case for Medium Reading 313
34. 21 Wheelpolitik: The Moral and Aesthetic Project of Edith Sitwell’s WHEELS, 1916–1921 329
35. 22 NEW AGE Women’s Writing: Edith Nesbit, Florence Farr, and Nietzschean Socialist Modernism 342
36. 23 Horror in the Wax Museum: Edith Nesbit’s ‘The Power of Darkness’ and the STRAND MAGAZINE 354
37. Part V Social Movements
38. Social Movements: Introduction 369
39. 24 Women, Periodicals, and Esotericism in Modernist-Era Print Culture 374
40. 25 Lysistrata on the Home Front: Locating Women’s Reproductive Bodies in the Birth Strike Rhetoric of the MALTHUSIAN during the First World War 389
41. 26 A Column of Our Own: Women’s Columns in Socialist Newspapers 405
42. 27 Prayer Warriors: Denominational Feminism, the Vote, and the CHURCH LEAGUE FOR WOMEN’S SUFFRAGE MONTHLY PAPER 421
43. Appendix 436
44. Works Cited and Helpful Sources 458
45. Notes on Contributors 460
46. Index 466