Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Figures vii
4. Acknowledgements ix
5. Notes on Contributors xi
6. Introduction: Absences, Identities, Belonging: Looking Anew at Screen Ethics 1
7. Part One. Histories and Absences
8. 1. Domestic Work, Gender, Race, Class and the Ethical Paradox of the Big House in Brazilian Cinema 23
9. 2. Cinematic Ethics and a World of Cinemas: A Reason to Believe in this World’s History in Hu Jie’s Wo sui si qu/Though I am Gone 42
10. 3. Memory, Witnessing and Re-enactment: The Look of Silence, S21: The Khmer Rouge Killing Machine and Cinematic Ethics 60
11. Part Two. Bodies and Identities
12. 4. Becoming Beyoncé: Disidentification and Racial Imaginaries 83
13. 5. Race, Bodies and Altered Identities in Sleight and Us 100
14. Part Three. Love and Belonging
15. 6. A Planetary Whole for the Alienated: John Akomfrah’s Vertigo Sea through Jameson and Deleuze 117
16. 7. Mermaids and Superpigs: Loving Nature under Global Capitalism 133
17. 8. Dreaming of Joyce Vincent’s Life: Carol Morley’s Intersectional Ethics of Care 151
18. Part Four. Looking Anew
19. 9. Empathy Machines, Indifference Engines and Digital Extensions of Perception 171
20. 10. Do You See what I See? The Ethics of Seeing Race in Get Out 188
21. 11. Don’t Look Away: Production-assemblages of Rape Culture in Midi Z’s Nina Wu 204
22. Index 225