Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. FIGURES viii
4. NOTES ON THE CONTRIBUTORS xvii
5. THE NEW PICTURE SHOW: AN INTRODUCTION 1
6. 1. HAL ASHBY, GENTLE GIANT 26
7. 2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH 44
8. 3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION 57
9. 4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID 71
10. 5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS 88
11. 6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM 102
12. 7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE 117
13. 8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER 134
14. 9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS 148
15. 10. SIDNEY LUMET AND THE NEW HOLLYWOOD 161
16. 11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN 177
17. 12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP” 189
18. 13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN 204
19. 14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE 222
20. 15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION 236
21. 16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY” 250
22. 17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH 265
23. 18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP 278
24. 19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME 296
25. 20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS 308
26. 21. INSIDE JOHN SCHLESINGER OUTSIDE 329
27. 22. FIRE AND ICE: PAUL SCHRADER 345
28. 23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD 359
29. INDEX 371