Chapter 5 Jean Rhys’s comédie anglaise

Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Figures vii
4. Notes on Contributors viii
5. Introduction: Cross-Channel (Transmanche) Modernisms 1
6. Interlude: Translating 14
7. Chapter 1 On Unknowing French? Rhythm and Le Rythme on a Cross-Channel Exchange 19
8. Chapter 2 Impressions of Translation: Ford Madox Ford’s Cosmopolitan Literary Crossings 50
9. Chapter 3 Sydney Schiff and Marcel Proust: Table-talk, Tribute, Translation 69
10. Interlude: Fashioning 91
11. Chapter 4 Cross-Channel Modernisms and the Vicissitudes of a Laughing Torso: Nina Hamnett, Artist, Bohemian and Writer in London and Paris 96
12. Chapter 5 Jean Rhys’s comédie anglaise 120
13. Chapter 6 Betray to Become: Departure in James Joyce’s A Portrait of the Artist as a Young Man 138
14. Interlude: Mediating 155
15. Chapter 7 Close Up and Cross-Channel Cinema Culture 162
16. Chapter 8 Debussy at the Omega Workshops 184
17. Chapter 9 Across the Other Channel: Elizabeth Bowen and Modernist Mediation 199
18. Coda: ‘You, who cross the Channel’: Virginia Woolf, Departures and the Spectro-Aesthetics of Mo 215
19. Index 243