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Contributors
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Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgements ix
- Preface x
- Introduction: Reading Experimental Writing 1
- Contributors 1
- 1. ‘Fog is My Land’: A Citizenship of Mutual Estrangement in the Painted Books of Etel Adnan 15
- 2. Reading Happily with John Cage, Lyn Hejinian and Others 51
- 3. Experiment, Inscription and the Archive: Kathy Acker’s Manuscript Practice 74
- 4. Rereading Race and Commodity Form in Erica Hunt’s Piece Logic 99
- 5. Contemporary Experimental Translations and Translingual Poetics 123
- 6. On Joan Retallack’s Memnoir: Investigating ‘the Experience of Experiencing’ 145
- 7. A Queer Response to Caroline Bergvall’s Hyphenated Practice: Towards an Interdependent Model of Reading 163
- 8. Reading Language Art in Digital Media: Reconfi gurations of Experimental Practices 185
- 9. Charles Bernstein’s Walter Benjamin, Among Other Things 205
- Notes on Contributors 227
- Bibliography 231
- Index 251
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vii
- Acknowledgements ix
- Preface x
- Introduction: Reading Experimental Writing 1
- Contributors 1
- 1. ‘Fog is My Land’: A Citizenship of Mutual Estrangement in the Painted Books of Etel Adnan 15
- 2. Reading Happily with John Cage, Lyn Hejinian and Others 51
- 3. Experiment, Inscription and the Archive: Kathy Acker’s Manuscript Practice 74
- 4. Rereading Race and Commodity Form in Erica Hunt’s Piece Logic 99
- 5. Contemporary Experimental Translations and Translingual Poetics 123
- 6. On Joan Retallack’s Memnoir: Investigating ‘the Experience of Experiencing’ 145
- 7. A Queer Response to Caroline Bergvall’s Hyphenated Practice: Towards an Interdependent Model of Reading 163
- 8. Reading Language Art in Digital Media: Reconfi gurations of Experimental Practices 185
- 9. Charles Bernstein’s Walter Benjamin, Among Other Things 205
- Notes on Contributors 227
- Bibliography 231
- Index 251