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6. ‘That Path is for Your Steps Alone’: Popular Music, Neoliberalism and Biopolitics
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Frida Beckman
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- Notes on the Contributors ix
- Introduction: Control of What? 1
- 1. Notes from an Investigation of ‘Control Society’ 20
- 2. Post-Mortem on Race and Control 34
- 3. Periodising (with) Control 44
- 4. Subjects of Sovereign Control and the Art of Critique in the Early Modern Period 63
- 5. Posthumanism, Social Complexity and the Political: A Genealogy for Foucault’s The Birth of Biopolitics 82
- 6. ‘That Path is for Your Steps Alone’: Popular Music, Neoliberalism and Biopolitics 101
- 7. Cinema in the Age of Control 121
- 8. Towards a ‘Minor’ Fascism: Panoptic Control and Resistant Multiplicity in TV’s Spooks 141
- 9. Species States: Animal Control in Phil Klay’s ‘Redeployment’ 166
- 10. Control and a Minor Literature 180
- 11. Philosophy and Control 193
- Index 211
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- Notes on the Contributors ix
- Introduction: Control of What? 1
- 1. Notes from an Investigation of ‘Control Society’ 20
- 2. Post-Mortem on Race and Control 34
- 3. Periodising (with) Control 44
- 4. Subjects of Sovereign Control and the Art of Critique in the Early Modern Period 63
- 5. Posthumanism, Social Complexity and the Political: A Genealogy for Foucault’s The Birth of Biopolitics 82
- 6. ‘That Path is for Your Steps Alone’: Popular Music, Neoliberalism and Biopolitics 101
- 7. Cinema in the Age of Control 121
- 8. Towards a ‘Minor’ Fascism: Panoptic Control and Resistant Multiplicity in TV’s Spooks 141
- 9. Species States: Animal Control in Phil Klay’s ‘Redeployment’ 166
- 10. Control and a Minor Literature 180
- 11. Philosophy and Control 193
- Index 211